Look 26 Ulla Johnson, born and raised in Manhattan, returned to NYFW this morning to bring her SS26 Ready-to-Wear collection to life. The 56-look collection was filled with unique, unbelievable colourways and sophisticated silhouettes. Johnson,still the creative director herself, always portrays a bohemian-chic universe, and this collection didn’t underdeliver! The collection featured floor-length gowns dripping with colour and uniquely shaped structures. One beige maxi dress (look 25 - below) stood out with gathered, floaty sleeves and a ruched bodice that accentuated the model’s silhouette with exaggerated proportions. Unlike many of the collections shown throughout the week, this one featured more colour than neutrals! A true rarity in today’s demographic. It was refreshing to see a collection embrace such vibrancy. Yes, there were a few tailored neutrals too (however most of them had a streak of gold in them!) A perfectly cut trench coat (Look 21) in a classic nude shade appeared midway through the runway, styled with a very bright lemon clutch, ballerina lace-up kitten heels, a rose-coloured unitard, and a feathered neckpiece. Truly original to Ulla Johnson. Among the collection, the coloured looks followed two different pathways. A darker palette introduced a 9-look sub-collection of royal blue, pink, and orange. This colourway seamlessly transitioned from earlier orange-toned pieces into the final looks of the show. The colour work was deeply impressive - each hue blending into the next with a mesmerising, cohesive effect. ABOVE - LOOKS (in order) 56 , 25, 52 Within this sub-collection, ruffles were in abundance, a personal favourite technique of mine! They were sewn with exposed seams, adding an intentional element of imperfection. Ruching was another lovely touch, especially on Look 52 (above). The dress appeared to be hand-dyed - a risky move for such a major collection, but one that absolutely paid off. Another sub-collection featured earthy tones with an even broader colour selection. Bright lime, orange, rust, fuchsia, lilac, red, burgundy, brown, forest green - all featured in sheer, lightweight fabrics perfect for spring. These colours appeared in trenches, dresses, scarves, belts, trousers, skirts, and even everyday basics like long-sleeve tops. Look 24 (below) and Look 26 (above) were personal favourites - they brought a vibrancy and energy to the runway that so many designers forget to include. The collection practically screamed spring/summer and had a little something for everyone. Of course, there were also more natural shades and neutrals - one standout being Look 10: a simple, floaty pale blue dress. Bohemian chic reimagined into a soft silhouette with lace detailing at the bust and trim. ABOVE - LOOKS (in order) 24, 22, 10 There was even a jeans-and-knit-top moment (Look 22 - above) - a bohemian lace knit paired with chunky gold jewellery and a leather satchel. And the shoes! The footwear in this collection was brilliant. Open-knit ballet flats (an ode, I feel, to the rise of the beach shoe) and heels with cushioned exteriors and velour ribbons tied around the ankle, a delicate, elegant touch to add to the slightly more understated looks. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/ulla-johnson/slideshow/collection This collection truly sparked something in me. As someone majorly obsessed with neutrals, I now have a new appreciation for a more expansive colour palette - which is no easy feat! With 56 stunning looks, each original in its own way, some with feathers, some with ruffles, some with ruching, some with jaw-dropping colour-ways - Ulla Johnson has delivered a masterclass in bohemian sophistication. With love, Mimi x

Welcome to NYFW - Honorary Mentions. Those that didn't make the cut to get their own post but were still worth documenting! We are mid-way through NYFW today, but can't make you wait any longer for these Runway Reviews! Some from emerging designers, some from debuting creatives with lots of experience, some even from prestigious f ashion houses - they are in here for the wrong reasons. So without further ado - in chronological order below are the honorary shows from the 11th - 13th September at New York Fashion Week... L’Enchanteur (CFDA Grant Winner) - 11th September @4pm  L’Enchanteur held their show yesterday (11th September) at NYFW. The show marked the brand's runway debut for this season, featuring designs with symbolic elements like keys and faces, characteristic of the brand's jewelry and garment offerings. The brand is run by sisters Soull and Dynasty Ogun, who previously won the CFDA / Vogue Fashion Fund back in 2024, and so had a lot to live up to! Specialising in metalwork, jewelry, textiles, fibers, and accessories. Which are all prominent in this collection.  The collection centred around a theme of “shifting dynamics, frequencies, and consciousness”, which definitely comes across in this show. The collection had a variety of fabrics, some that could be comparable to a bin-bag. As well as others using recycled materials. The colourway of the collection was bright and there was a strong sense of textile work. With hand drawn prints etc…  Some of the looks featured facemasks, bright contacts, and almost all of the models had their toes out! Not sure what the thought process was behind that. However they are known for their mystical, futuristic flair and this show definitely maintained this energy. Overall the collection was a bit 50/50 for me, some of it was coming off far too experimental for my liking, and some pieces that were really lovely. See the entire collection here: https://uk.fashionnetwork.com/galeries/photos/L-Enchanteur,72729.html Collina Strada - 11th September @6pm  A distinctly unique and beautiful show took place on the 11th September in New York. Collina Strada merged everyday pieces with styles fit for the runway. With a total of 45 looks, there were duo models strutting side by side down the open runway - beautiful location with the brooklyn bridge in the background, along with a NYC skyline!  Each model you could tell was hand selected as every look suited them perfectly, with a large age range and an array of diversity on display. The models walked in duos in opposing colourways. Identical looks in dark shades and lighter shades side by side, this dynamic worked very well with the colour contrast side by side!  Included in this display was a white bridal look, paired next to an almost identical black bridal look. The colour palette was VERY strong, with a large amount of Black to juxtapose the lighter shades of whites, creams, pink, and green. Patterns which showed up were a variation of plaids as well as taking me back to 2016 with some tie-dye!!!  A standout feature of the collection was the hair! They had somehow constructed a baseball cap out of hair on many of the models. Something I can say I haven’t seen before - which is rare now as fashion has evolved so much! The accessorising was very strong, with selected jewels hanging from skirts and trousers. Love this collection and the creative minds who put the ideas together!   See the full collection here: https://www.showstudio.com/collections/spring--summer-2026/collina-strada-ss-26 Maria McManus - 12th September @ 9am  With 22 total looks within the collection this minimalist, sustainability-driven designer really put together a cohesive and refined show. With a lot of designers going for sometimes quantity over quality, McManus went for quality and gave 21 high quality and sustainability driven pieces.  She provided us with simplistic cuts, tailoring, and a refined colour palette of White, Black, Beige and hints of blue, pink, red, and khaki. Once again the tomato hue of red got a prominent feature. Making it 100% a colour to watch for in the coming seasons…  In particular I am a fan of Look 6 & 7 with Look 6 featuring a 3D Pom Pom effect crochet dress, floating tassels towards the bottom and a matching coloured shirt tied strategically over one shoulder. Everything looks very purposeful, look 7 also features this purposeful tone with a beautifully cut cream dress paired with a tomato red bag (which i love!) , as well as brown beaded necklace and statement shoes.  While simplistic in some areas the entire show was very well put together and as an emerging designer with a firm focus on sustainability Maria McManus is definitely one to watch because she knows her niche and does it well!  See the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/maria-mcmanus Calvin Klein - 12th September @ 12pm  Oh my god. That was so disappointing. With Calvin Klein now under the creative direction of Veronica Leoni, her sophomore collection had fashion lovers excited, hopeful even, that a fresh vision was on the horizon. But boy, were we wrong.  Instead of a bold new chapter, we got a collection that felt flat, recycled, and depressingly forgettable. And let’s be honest — being called “forgettable” is the last thing you want in a debut collection. Think: plain white mini dresses. Simplistic-cut midi dresses. More of the same monochromatic, minimalist looks we’ve seen trotted down the runway a million times before. I was planning to write a full post on the Calvin Klein show, but frankly, it had to be downgraded after witnessing the painfully average display of talent. There was one  look that caught my attention — a uniquely cut black and copper satin shirt with exposed skin and a bold silhouette. I’ll admit, it was cool. But sadly, it didn’t match anything else in the collection. Then came the fringed dresses in brown and pink — clearly referencing the '60s but also giving strong Cookie Monster energy. Was it a Muppet? Who knows. And don’t even get me started on look 12 . The poor model was dressed in what can only be described as a nappy made from a curtain. It was genuinely shocking. And a lot of the looks shared the same simplistic bandana headband which was a pitiful attempt to add some accessory to the looks.  Overall, I’m unimpressed, as you can probably tell. The trench coats and blazers were fine, but they weren’t anything we haven’t already seen 20 times this season. We need more. More creativity. More risk. More vision. Because right now? This just isn’t cutting it. See the entire collection here - https://www.vogue.com/fashion-shows/spring-2025-ready-to-wear/calvin-klein-collection/slideshow/collection Alice + Olivia - 13th September @3pm Look 33 July 4, 2026 will mark America’s 250th birthday, and Stacey Bendet - Creative Director and Founder of Alice + Olivia wanted their Spring 2026 collection to meet the moment. Bendet decided to host her presentation at the Surrogate’s Court in downtown Manhattan. Stars, stripes, lace, and an abundance of garden-party florals took centre stage. This season’s collection paid homage to many different contrasting themes including: the timeless beauty of florals, all things stripes, Patriotism, delicate beadwork & pastels. Presented not on a traditional runway, but rather as a presentation within a grand hall complete with a sweeping balcony and a towering American flag, the setup allowed each look to command attention. Models stood in tableau, transforming the space into a living lookbook of each theme whether it be florals, pastels, embellished opulence, patriarchy, or stripes!  We were met with different scenes of each theme, dividing the collection into snippets of the brands ideology. One that stood out to me was the romantic elegance: a parade of gowns and separates adorned with delicate beadwork, intricate embroidery, and layers upon layers of 3D florals. Pastels reigned supreme, and there was a softness to the tailoring. A standout piece was a lilac gown with cascading floral appliqué down the bodice and skirt which was a clear favourite. Other highlights included meticulously beaded jackets, feminine lace details, and whimsical tulle. In stark contrast, another half of the collection leaned heavily into American iconography. There was a tailored red suit, dresses splashed with prints featuring stars, stripes, cowboys, horses, and even dirt. While the colour palette felt cohesive, this patriotic portion of the collection felt slightly off base in comparison to the other scenes presented - at least for me personally. However, one dress made a memorable attempt to bridge the worlds. Bendet’s interpretation of Lady Liberty: a model standing on the balcony wearing a rhinestone-encrusted iteration of the statue’s diadem and dressed in a billowing white floral dress that draped over the entryway. A clever and theatrical (which I always appreciate) attempt to merge the two opposing sections. Love it or leave it, the collection was certainly bold - half chic, half patriotic, and fully Alice + Olivia, they always manage to go above and beyond, creating about 6 separate collections and merging them into one presentation that tells the observer a story.  See the full collection here – https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/alice-olivia/slideshow/collection See a video of the collection here - https://www.instagram.com/reel/DOjhrGaj4uw/?igsh=MXJycjk2OGdlNzgw We've still got plently to come! With another 3 days of shows heading our way. I'm sure you will be on the edge of your seats waiting for the next set of Honorable mentions. Until then read our influx of articles coming onto the blog every day of FW! See you in the next one! With love, Mimi x

Look 33 Altuzarra wasn’t even on my radar until today. What a collection! They have definitely been added to my radar now. Altuzarra has always been and will remain a luxury women’s ready‑to‑wear house, with strong attention to craftsmanship, feminine silhouettes, with a strong tone of sensuality + modern edge.  Joseph Altuzarra’s design aesthetic is still firmly about blending elegance and a certain boldness. One I truly appreciate. This collection is hands down one of the best I've seen so far at NYFW. With elegant gowns, more refined tailoring, but done in such a way it still felt original.  Many of the looks were dresses, featuring impressive textile applique. Lots of floral applique which added so much sophistication and a level of luxury few top - end designers manage to master. As a designer myself I was really amazed at the talent in the prints, as well as the appliqués added to many of the looks.  The models all looked refreshingly natural with very minimal makeup having been done, and the hair as well matched this natural effort. Allowing the models to wear the clothes and not let the clothes wear the models.  One of the most impressive is Look 33 (above), which featured a silky cream base gown, adorned with lots of florals dripping down in such a purposeful and delicate manner. It was stunning! ABOVE - LOOKS (in order) 28 ,21, 41 They also had bird applique (second above) - adding to the theme of nature and very much providing Spring/ Summer energy. The bird feature was added to a few looks, around the neck of the model - adding the illusion of a bird wrapping itself around the model. I loved this piece, such innovation. It's becoming rarer and rarer in the fashion industry to see something new nowadays - but I really felt like this was new and exciting! So many of the other looks caught my eye, such as the opening look with structured tailoring, paired with a very on trend hat. As well as the closing look which could be used as a wedding dress with the delicate beading and floaty silhouette (see third above). It was truly magical. See the entire collection below -  https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/altuzarra/slideshow/collection Overall the collection quite literally took my breath away. As a designer myself, appliqué is one of my favourtie techniques so to see it displayed on such a magnified scale and in such a way that accentuates and appreciates femininity. I am in awe of this entire collection and the stupidly talented minds that brought it to life. With love, Mimi x

Look 12 Anna Sui Spring/Summer 2026 Ready-to-Wear  Anna Sui’s Spring 2026 Ready‑to‑Wear collection took me by surprise, having not even selected this show as one to watch! However I have now been fully captivated, and won over by this collection. Think wallpaper florals, vintage lace, and enough prairie-chic nostalgia to transport you straight to a whimsical countryside tea party, with a twist of 1970s bohemia thrown in for good measure.  Anna Sui’s Spring/Summer 2026 collection was a dreamy ode to romantic dressing, wrapped up in soft pastels, ruffled edges, and textures galore.The mood was very feminine, and richly ornamented, providing us with flowing silhouettes, delicate embroideries, and prints so evocative they feel like antique wallpapers or oil paintings.  Each look felt like it had stepped out of a daydream, with everything from bohemian sheer layering to delicate pleating. The collection struck a beautiful balance between undone elegance and rich craft. No piece felt overstyled, yet every detail was intentional. ABOVE - LOOKS (in order) 28 , 26, 7 The looks all shared a clear tone: soft, floaty, and free silhouettes drenched in floral prints. The collection leaned into texture and romance, with a subtle shift towards deeper tones and hints of dark lace here and there to add contrast without losing any softness.  Look 12 has to be one of my favourites, it is a blue bohemian dream! Silky floaty trousers, printed with a stunning contrast yellow floral arrangement at the ankles. A crochet cover up that so delicately transitioned between blue shades. It was pure fantasy, so intricate, with a billowing silhouette. It was light, layered, and laced with nostalgia. Of the 35 look collection, I was amazed by every one! Each look supplying vintage, reimagined ways of design! Anna Sui has nailed bohemian dressing. Think vintage bed-jackets reimagined, lace trim, and sweet 3D florals adding dimension, without being overwhelming. View the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/anna-sui/slideshow/collection Some looks provided bolder statements, others more rooted in a soft aesthetic. But it was all part of a theatrical romantic collection that was 100% Anna Sui. Layers of pleats, embroidery, tulle and florals all merged into one glorious collection of texture and movement. The whole thing felt like a love letter to bygone eras,  sweet, strange, and unapologetically romantic. The collection made me want to press flowers, read more books, and add more whimsy to my life! Make fashion fun again! And that she did. With love, Mimi x

Look 10 Alexander Wang debuted his Spring/Summer 2026 Ready-to-Wear collection yesterday at New York Fashion Week, marking his return to the runway after a notable hiatus. The show celebrated the brand’s 20th anniversary, and the guest list didn’t disappoint, featuring Law Roach, Martha Stewart, Cardi B, amongst others. The collection, titled “The Matriarch”, is a tribute to Wang’s mother and, more broadly, to powerful women - “alpha females,” as he puts it. It was held in a meaningful space in Chinatown, New York, a building recently purchased by Wang and his family, adding another layer of personal resonance to the evening.  Now let’s get into the show…  Colour palette:  Black, White, Brown, Grey, Blue, Translucent  Favourite looks:  Look 2, Look 3, Look 4, Look 10, Look 15, Look 18, Look 36  Questionable Looks:  Look 11, Look 13  View Full Collection here: https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/alexander-wang/slideshow/collection#1 Wang’s inspiration was clear: feminine strength, discipline, and defiant elegance. The collection delivered fur, deconstructed tailoring, a bold schoolgirl aesthetic, and flashes of tech innovation, all while using sustainable materials in response to growing industry expectations around responsibility and innovation. One standout was the opening look: a sculpted suit-dress with accentuated hip bones and purposeful accessories. Structured silhouettes ruled the runway, with a clear emphasis on clean lines and hard edges. Wang wasn’t softening femininity, he was sharpening it. ABOVE - LOOK (in order) 1,3, 15, 43, 36, 23 Accessories reflected this ethos, too: briefcases, zipper-detailed heels, chunky silver jewelry, watch-face belts, and most notably, 3D-modeled inflatable neckpieces. These balloon-like structures appeared throughout, as neckwear, handwarmers, and statement pieces. My personal favourite was the gemstone-covered versions. Others were minimal in black, and some were even covered in fur adding unexpected texture - which were also really cool! One of my favourite looks, Look 10 (shown at the top), brought a surprising hit of colour. A striped shirt-dress was layered under a harlequin-patterned knit sweater vest. Simple, yet clever. In a way it reminded me of a school uniform, but in a Gossip Girl cool upcycling way. Hair and makeup kept things unified and sharp: slicked-back styles, bleached brows, and dramatic black eyeliner turned the models into blank canvases, allowing the clothes to speak for themselves. Look 13 The only look I had trouble liking was the translucent nude dresses, layered under mini skirts (see Looks 11 and 13). For me, they lacked the creativity and intention found elsewhere, and didn’t contribute meaningfully to the theme of empowered femininity, in fact they devalued it. As the collection progressed, coats, jackets, and capes dominated the closing looks. One standout was a cape-style coat with a hood and elongated, winged sleeves - perfectly transitional for spring. Laser-cut fabrics mimicking feathers appeared on outerwear, dresses, and bags, adding delicacy to the otherwise bold collection. The use of shapes was also played with, to add to the structured tailoring. Fun geometric square shapes were used in three identical looks with a squared crop top and squared mini skirt, creating an alien, otherworldly effect. Each look done in a different colourway - studded grey fabric that was the real WOW factor and also plain black and white. This S/S26 collection feels like more than just a show, it’s a statement of reinvention. After recent controversy, Wang’s return to NYFW with such a deeply personal collection feels like an attempt to reshape both his design narrative and public image. The emphasis on strong women, structure, and heritage marks a shift away from his former “downtown party kid” aesthetic into something with more meaning and maturity. I’m curious to see whether this signals a full rebrand,or just a brief pivot. Either way, there’s something undeniably special here. With love,  Mimi x

Look 49 (Closer) Off- White Spring/ Summer 2026 NYFW  Off-White returned to NYFW today, with their Spring/Summer 2026 Ready-to-Wear collection,  under Kamara’s bold editorial direction. With their return to New York came a reminder of the brand’s streetwear roots and its undeniable impact on fashion’s global conversation. Kamara, known for his visually daring and editorially rich approach, continues to reimagine Off-White through a lens that fuses streetwear, high fashion, and storytelling. This season, that narrative was clearer than ever, as he translated the brand into a collection that felt like a conversation between their past and present. The streetwear powerhouse presented a staggering 49 looks, blending a wide mix of textiles throughout the collection. Menswear and womenswear were shown cohesively in front of a floral-graffitied wall - a bold backdrop that enhanced the colours of the garments and complimented the tone of the show! Once again, Off-White succeeded in making me think, ‘ wow, maybe streetwear is kind of cool’ ,  even if it’s not my personal style. Let’s get into the show…  Colour palette:  Black, Red, White, Lilac, Pale Pink, Khaki, Yellow, Blue Favourite looks: Look 1, Look 2, Look 16, Look 17, Look 28, Look 29, Look 30, Look 37, Look 49! Questionable Looks:  Look 3, Look 8, Look 15 View Full Collection here: https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/off-white/slideshow/collection#1 Sheer, lightweight fabrics made frequent appearances — most notably in the closing look (Look 49 - shown above), which was by far my favourite. A pale pink chiffon mini dress with cascading ruffles, delicately adorned with sequins of varying sizes and striped, sweat band style details at the neck, arms, and waist. It was still so Off-White, but reimagined with an elegant, updated twist. It felt like a true fusion of the old and new. ABOVE - LOOKS (in order) 1,2, 28, 37 Accessories were minimal but intentional: sunglasses that screamed Matrix 3.0, and oversized, triangular-toed shoes that looked like they belonged in a sci-fi ballet. Every model wore them, grounding the looks in Kamara’s futuristic vision. Alongside the floaty, ethereal elements, tailoring played a quiet but confident role. With utility style cargo trousers, vests and coats making appearaces athroughout the collection. Some featuring tailoring to blend elegance with streetwear. There were a handful of coats sprinkled throughout the collection, but Look 1 & 2 stood out most (shown above). Look 1 being a superbly tailored black trench with fringe bottom, and accentuating white and red accents, and Look 2 being a fur-lined trench worn by a model who absolutely embodied the attitude of the piece. Throughout many of the other looks there was a strong focus on art. Abstract art influences reigned supreme, psychedelic shapes and colour-blocked patterns danced across garments in chaotic yet surprisingly cohesive combinations. (I suspect the streak of red that ran throughout a lot of the looks helped unify them.) ABOVE - LOOKS (in order) - 17, 8, 38, 3 Look 17 (first above) deserves a solo moment: a cubism-inspired bodysuit paired with one of the most unique pieces of the show - utility-style denim trousers, complete with a cargo-style belt. I’m obsessed. It was very futuristic, but also gave me an odd sense of nostalgia, I can't figure out - as if I've worn something similar before. Among the beautiful craftsmanship displayed throughout the collection there was of course some questionable looks. Case in point - Mesh. Mesh is not my friend - I find it tacky 99% of the time. This look in particular - Look 8 (shown above) - featured a beaded mesh cover up dress, but it wasn’t covering up much. With only two thin strips of fabric covering the nipples, the poor model was out on display. From afar it actually looked quite cool, and I definitely have to give them points for originality, but it just wasn’t my cup of tea.  Overall Off-White SS26 had a bold, unique, and yet balanced remix of what the brand has always done best - streetwear. Merging culture, craftsmanship, and chaos into something that somehow works. Kamara is proving that Off-White can evolve without losing its edge.  If this collection is any sign of what’s next, streetwear’s future might just be saved. They did it all in this collection: Graphics, Prints, Abstracts, Florals, and even sequins! It was Off-White through and through, just with a renewed sense of purpose.  With love,  Mimi x

Look 22 This collection surprised me actually — and not in the way I expected. Scrolling through the looks one by one, I initially felt underwhelmed. The first few pieces lacked energy, and for a moment, I feared this would be added to the list of forgettable shows. But then — feathers, oversized neckpieces, tassels, silk! Out of nowhere, the collection seemed to wake up, and so did my interest. No, this isn’t the best collection I’ve ever seen — but it’s far from the worst. The pared-back colour palette works here, because Fforme has built its reputation on refined minimalism. And in yet another sophomore appearance at NYFW, the expectations were undoubtedly high. Fforme has gained traction in recent years for its sculptural approach to minimalism, and that’s exactly what this collection delivers. A total of 38 looks, 95% of which stick to a monochrome theme - with subtle hints of other neutrals. Then comes Look 23: Royal Blue. And later, Look 33: Neon Green. These sudden bursts of colour, scattered every ten looks or so, cleverly break up the rhythm and refresh the viewer’s eye just as the palette risks becoming monotonous. See the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/fforme/slideshow/collection#1 Even in the simplest silhouettes, there’s something structurally unique. The garments are crafted in a way that allows them to sit very precisely on the body. The four feathered pieces, two dresses, one coat, and one top, all in black and white, were a playful, seasonal touch that felt perfectly in tune with the Spring/Summer theme. ABOVE - LOOK (in order) 21, 24, 27, 9 My standout favourites were 100% the dresses. Look 21: a silky, sculpted gown that somehow manages to drape loosely while still accentuating the waist. Look 24: a navy knit-blend dress with cascading feathered details — undoubtedly my favourite of the entire collection. It’s elegant, chic, and effortlessly dramatic. Look 36 Look 27 and Look 9 were equally beautiful, with refined, wearable silhouettes that still offer interest and flair. The styling stayed true to the brand's minimalist ethos. Accessories were kept to a minimum, allowing the garments to speak for themselves. The models all wore simplistic flip-flops, a quiet but effective reminder that this is a Spring/Summer collection. Overall, Fforme delivered a collection that builds on its core identity while offering just enough surprise to keep things interesting. It may have started slow, but it finished strong with a thoughtful, modern take on minimalism. With love, Mimi x

Nicholas Aburn Debuts for Area with S/S26 Collection - Look 33 In Nicholas Aburn’s debut collection for Area, after leaving Balenciaga as a former couture designer earlier in the year, this Spring/ Summer 2025 collection of his was very much anticipated in the industry. It is always exciting to see a talented artist transition from one brand to another as they then switch their creative thinking to prepare to channel the new fashion house.  However Aburn really got it right this time. The show was superb! With technical excellence and fabric manipulation at its highest form, there was a subversive edge to the collection. One that is unmistakably Area - the exact role of a creative director! He’s really hit the nail on the head first time round.  Let’s get into the show…  Colour palette:  White, Black, Red, Silver, MULTICOLOURED GLITTER!! Favourite looks: Look 10, Look 14, Look 21, Look 24, Look 27, Look 33, Look 35, Look 38, Look 40 Questionable Looks:  Look 6, Look 17, Look 19 View Full Collection here: Vogue Runway – Area Spring 2025 Now this is high fashion! Thank god someone finally brought some fun back to the runway! We’re only on day two of NYFW, but many shows so far have played it pretty safe - muted palettes, structured silhouettes, and very little risk. But not Area. ABOVE - LOOKS (in order) 38, 40, 41, 39, 35, 37 The final seven looks (shown above) of this collection? Insane (in the best way). Sequins everywhere. One model looked like a pom-pom, another like a glimmering speck of glitter, and one literally resembled a bow on a Christmas present. It was absurd, fabulous, and completely experimental — everything high fashion should dare to be.  These closing looks were a bold contrast to the first 35, which stuck to more muted tones with occasional pops of red, blue, and pink. But the glitter finale wasn’t just random chaos -  it made sense. Jewelled details were woven throughout the earlier looks too: bangles, earrings, statement tops… so the transition felt authentic. One of my favourite moments was the denim and tailored black looks. The distressed denim worked beautifully with the sleeker pieces. And can we talk about the mini skirt/jean hybrid? The tied, stuffed pant legs created this clever 3D effect — a fun twist on a basic shape. I loved the black version even more than the denim! It was very much giving a corporate fashion icon's dream. The denim dress with a distressed knee, styled with matching denim heels, was another highlight - the styling here was so sharp & cohesive. The collection is fun, unique, clever and magical. I am very much impressed by this marvellous collection!  ABOVE - LOOKS (in order) - 27, 24, 14 If I had to nitpick, the only thing that felt out of place was the two bedazzled and deconstructed basketball jerseys (Looks 6 & 17) They leaned more tacky than chic and didn’t quite fit the tone of the rest of the collection. That said… They were bedazzled. So technically, they did align with the glitter-soaked energy of the final looks. Nicholas Aburn had a lot  to prove stepping into Area as the new Creative Director — and he delivered. Aburn has had a showstopper of a collection! This debut was fearless, technically brilliant, and genuinely exciting. I can't wait to see what he does next. Area’s edge has now been proven to be safe in his hands. With love,  Mimi x

Michael Kors just presented his S/S26 Collection in New York as the first scheduled show to officially open NYFW. With a jaw-dropping guest list of fashion icons, and celebrities, the pressure was on. The Michael Kors website describes their Spring/ Summer 2026 collection as: "EARTHY ELEGANCE, RELAXED EASE, LIQUID DRAPING AND SOFT TAILORING, CLOTHES THAT CATCH THE BREEZE, THE MOVEMENT OF FRINGE AND TASSELS, TRANSPARENCY, TEXTURE, WARM SUNSET TONES, ARTISANAL ACCESSORIES, LAID-BACK GLAMOUR, SPORTY SENSUALITY." Look 9 (My Favourite) Thankfully Kors managed to hit the nail on the head. There is no denying they perfectly encapsulates this. Now I'm here to share my opinions on the collection… The one thing i have to comment on is the Boho - Chic take that seems to have truly been channeled throughout this collection. Fringe is definitely a friend to Kors. Elegant monochromatic looks with a Bohemian twist. Many of the looks featured large Gold jewellery accessories - Kors is most definitely claiming Gold is the colour of S/S26! These gold pendants hung from thin strands of leather, creating an effortless ‘cool girl’ vibe. Let’s get into the show…  Colour palette:  Brown, Black, White, Cream, Grey, Beige, Yellow, Pink, Khaki, Gold  Patterns: Stripes (not excessive) , Snakeskin, Weave Details:  Tassels, Sequins, Bangles, Belts, Gold Favourite Looks: Look 1, Look, 5, Look 9, Look 10, Look 33, Look 40, Look 47   Questionable Looks: Look 22, Look 24, Look 27, Look 29, Look 46  You can watch the entire show here: Largely the looks followed a monochrome ideology, with a colour palette of mainly neutrals, which looked very put together (soon to be followed by a few honorary coloured looks). With a variety of shades, the monochrome worked really well with the entire energy of the collection, as well as the location. Creating great cohesion.  Fabrics were light and breathable, with delicate chiffon scarves that served no real purpose other than to elevate the elegance. The subtle sheerness added depth and a sense of quiet luxury. However, the unexpected use of mesh felt jarring. A pale pink mesh dress (Look 29) made an unfortunate appearance towards the end, coming across as rather cheap, and to make matters worse, a trench coat with mesh panels followed. Absolutely not. When it comes to patterns, there was little on show from Kors, aside from a few looks featuring varying stripe widths. Striped trousers offered a subtle point of interest, while the addition of an understated velvet trim on some skirts was a thoughtful detail that added a touch of texture.   ABOVE - LOOK (in order) 1, 5, 10 My standout look has to be the all-brown ensemble featured in Look 9 (shown at the top). A rich, monochromatic tailored suit, cinched with a double-wrapped belt that sculpted the silhouette to perfection. The brown-on-brown accessorising was masterful, fringed shoulder bag and dramatic statement earrings, with tassels so exaggerated they grazed the chest. It was all about elongation, movement, and bold confidence. The accessorising across the collection was undeniably strong, with a consistent fringe motif tying many of the looks together. One bag even featured fringe so theatrically long it nearly swept the floor - fabulous for the runway, though perhaps not the most practical choice for everyday wear. As well as woven bags, and snakeskin print clutches. Another great, yet confusing accessory was the recurring wallet necklace. Many of the looks featured a small, cardholder-style wallet dangling from the neck. I'm still not entirely sure how I feel about it... functional or just odd? Imagine paying for coffee by whipping out your necklace! Simplistic silhouettes made a return - like the kimono-style shirts, which I loved. Timeless and effortlessly elegant, but the soft tailoring was my favourite. ABOVE - LOOKS (in order) 33, 40, 47 The collection overall featured very little pattern, but this minimalism worked beautifully with the tone. The bohemian undertones were perfectly channelled, and the use of monochrome tied everything together seamlessly. It wasn’t all monochrome, though. Towards the end of the lineup, we saw flashes of colour - honorary appearances from yellow, pink, khaki, and gold. One look in particular stood out (for the wrong reasons): Look 46 an overwhelmingly gold trench coat that felt completely out of sync with the rest of the 55 looks. It looked ridiculously cheap - as if it were made out of tinfoil! That said, the final walk-through brought the collection together well. Despite some scattered use of colour, the overall vision remained strong. While not every look landed, Kors delivered a collection that felt wearable, refined, and quietly luxurious - with moments of boldness that (mostly) paid off. A good collection, if not entirely consistent. Just maybe... skip the mesh next time. With love, Mimi x

Look 10 Ralph Lauren: Ralph Lauren presented his S/S26 Collection with an intimate experience last night September 10th. Deciding this year to stick closer to home for his spring ’26 fashion show. He returned to his own private design studio at 650 Madison Avenue in New York.  While the official NYFW schedule officially begins Sept. 11 and runs through Sept. 16. The designer has for the last few years been staging runway shows in experiential spaces, not always within the official window. As he nears his 60th year in business, I think this gives him the right to have his own dates for the season!  Now let’s get into the show…  Colour palette:  White, Black, Tomato Red. Patterns: A myriad of stripes, Lace, Floral  Favourite looks: Look 2, Look 10, Look 12, Look 19, Look 31, Look 32, Look 33, Look 45  With a collection of 50 looks there is lots to see, below is a video of the entire collection:  Lauren has a talent for creating collections that feel youthful, understated, and effortlessly timeless. Season after season, he delivers pieces that are unmistakably Ralph Lauren, a skill few designers truly master. All the stripes displayed screamed Spring, paired with raffia heeled sandals that felt relaxed yet refined. Summer energy flowed through the show, but the bold Tomato Red touches (as I predicted in an earlier blog post…) allows for an equally Spring appeal. ABOVE (in order) LOOK 33, 32, 31, 19, 2, 12 Look 31 was a standout - The effortless striped shirt, paired with a connected tie feature as a belt! It was masterful! Paired with a miniscule bra top, and chunky silver statement necklace. Simple, but absurdly sophisticated. Through his designs, it’s clear: Lauren loves women. Look 19 was just as striking - a tomato red two-piece suit with floaty trousers and a perfectly fitted blazer. Sharp yet soft. I think this one is my overall favourite from the collection! Other favourites (shown above) include: Looks 2, 10, 12, 32, 33, 45. Elegant draping, thoughtful silhouettes, and more dreamy stripes - this was craftsmanship at its best. Atmosphere & Applause: The front row was stacked: Laura Dern, Mindy Kaling, Oprah, Usher, Naomi Watts, and of course, Anna Wintour alongside newly appointed head of American Vogue - Chloe Malle. When the top two names in fashion show up, you know you're one of the best. Each model strutting down the runway to a soft hum of the Bee Gee’s “More Than a Woman”, with razor-sharp jawlines and graceful movement. The white studio backdrop elevated the collection’s elegance, while the refined, yet on trend colour palette, white, black, and tomato red, felt modern and clean. Following the finale walk, Lauren’s final wave earned well-deserved applause. There are only a select few designers who consistently can get such a reaction, and that is the magic of Ralph Lauren. Once again, he’s set the bar high for NYFW. With love, Mimi x