Look 10 Alexander Wang debuted his Spring/Summer 2026 Ready-to-Wear collection yesterday at New York Fashion Week, marking his return to the runway after a notable hiatus. The show celebrated the brand’s 20th anniversary, and the guest list didn’t disappoint, featuring Law Roach, Martha Stewart, Cardi B, amongst others. The collection, titled “The Matriarch”, is a tribute to Wang’s mother and, more broadly, to powerful women - “alpha females,” as he puts it. It was held in a meaningful space in Chinatown, New York, a building recently purchased by Wang and his family, adding another layer of personal resonance to the evening.  Now let’s get into the show…  Colour palette:  Black, White, Brown, Grey, Blue, Translucent  Favourite looks:  Look 2, Look 3, Look 4, Look 10, Look 15, Look 18, Look 36  Questionable Looks:  Look 11, Look 13  View Full Collection here: https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/alexander-wang/slideshow/collection#1 Wang’s inspiration was clear: feminine strength, discipline, and defiant elegance. The collection delivered fur, deconstructed tailoring, a bold schoolgirl aesthetic, and flashes of tech innovation, all while using sustainable materials in response to growing industry expectations around responsibility and innovation. One standout was the opening look: a sculpted suit-dress with accentuated hip bones and purposeful accessories. Structured silhouettes ruled the runway, with a clear emphasis on clean lines and hard edges. Wang wasn’t softening femininity, he was sharpening it. ABOVE - LOOK (in order) 1,3, 15, 43, 36, 23 Accessories reflected this ethos, too: briefcases, zipper-detailed heels, chunky silver jewelry, watch-face belts, and most notably, 3D-modeled inflatable neckpieces. These balloon-like structures appeared throughout, as neckwear, handwarmers, and statement pieces. My personal favourite was the gemstone-covered versions. Others were minimal in black, and some were even covered in fur adding unexpected texture - which were also really cool! One of my favourite looks, Look 10 (shown at the top), brought a surprising hit of colour. A striped shirt-dress was layered under a harlequin-patterned knit sweater vest. Simple, yet clever. In a way it reminded me of a school uniform, but in a Gossip Girl cool upcycling way. Hair and makeup kept things unified and sharp: slicked-back styles, bleached brows, and dramatic black eyeliner turned the models into blank canvases, allowing the clothes to speak for themselves. Look 13 The only look I had trouble liking was the translucent nude dresses, layered under mini skirts (see Looks 11 and 13). For me, they lacked the creativity and intention found elsewhere, and didn’t contribute meaningfully to the theme of empowered femininity, in fact they devalued it. As the collection progressed, coats, jackets, and capes dominated the closing looks. One standout was a cape-style coat with a hood and elongated, winged sleeves - perfectly transitional for spring. Laser-cut fabrics mimicking feathers appeared on outerwear, dresses, and bags, adding delicacy to the otherwise bold collection. The use of shapes was also played with, to add to the structured tailoring. Fun geometric square shapes were used in three identical looks with a squared crop top and squared mini skirt, creating an alien, otherworldly effect. Each look done in a different colourway - studded grey fabric that was the real WOW factor and also plain black and white. This S/S26 collection feels like more than just a show, it’s a statement of reinvention. After recent controversy, Wang’s return to NYFW with such a deeply personal collection feels like an attempt to reshape both his design narrative and public image. The emphasis on strong women, structure, and heritage marks a shift away from his former “downtown party kid” aesthetic into something with more meaning and maturity. I’m curious to see whether this signals a full rebrand,or just a brief pivot. Either way, there’s something undeniably special here. With love,  Mimi x

Look 49 (Closer) Off- White Spring/ Summer 2026 NYFW  Off-White returned to NYFW today, with their Spring/Summer 2026 Ready-to-Wear collection,  under Kamara’s bold editorial direction. With their return to New York came a reminder of the brand’s streetwear roots and its undeniable impact on fashion’s global conversation. Kamara, known for his visually daring and editorially rich approach, continues to reimagine Off-White through a lens that fuses streetwear, high fashion, and storytelling. This season, that narrative was clearer than ever, as he translated the brand into a collection that felt like a conversation between their past and present. The streetwear powerhouse presented a staggering 49 looks, blending a wide mix of textiles throughout the collection. Menswear and womenswear were shown cohesively in front of a floral-graffitied wall - a bold backdrop that enhanced the colours of the garments and complimented the tone of the show! Once again, Off-White succeeded in making me think, ‘ wow, maybe streetwear is kind of cool’ ,  even if it’s not my personal style. Let’s get into the show…  Colour palette:  Black, Red, White, Lilac, Pale Pink, Khaki, Yellow, Blue Favourite looks: Look 1, Look 2, Look 16, Look 17, Look 28, Look 29, Look 30, Look 37, Look 49! Questionable Looks:  Look 3, Look 8, Look 15 View Full Collection here: https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/off-white/slideshow/collection#1 Sheer, lightweight fabrics made frequent appearances — most notably in the closing look (Look 49 - shown above), which was by far my favourite. A pale pink chiffon mini dress with cascading ruffles, delicately adorned with sequins of varying sizes and striped, sweat band style details at the neck, arms, and waist. It was still so Off-White, but reimagined with an elegant, updated twist. It felt like a true fusion of the old and new. ABOVE - LOOKS (in order) 1,2, 28, 37 Accessories were minimal but intentional: sunglasses that screamed Matrix 3.0, and oversized, triangular-toed shoes that looked like they belonged in a sci-fi ballet. Every model wore them, grounding the looks in Kamara’s futuristic vision. Alongside the floaty, ethereal elements, tailoring played a quiet but confident role. With utility style cargo trousers, vests and coats making appearaces athroughout the collection. Some featuring tailoring to blend elegance with streetwear. There were a handful of coats sprinkled throughout the collection, but Look 1 & 2 stood out most (shown above). Look 1 being a superbly tailored black trench with fringe bottom, and accentuating white and red accents, and Look 2 being a fur-lined trench worn by a model who absolutely embodied the attitude of the piece. Throughout many of the other looks there was a strong focus on art. Abstract art influences reigned supreme, psychedelic shapes and colour-blocked patterns danced across garments in chaotic yet surprisingly cohesive combinations. (I suspect the streak of red that ran throughout a lot of the looks helped unify them.) ABOVE - LOOKS (in order) - 17, 8, 38, 3 Look 17 (first above) deserves a solo moment: a cubism-inspired bodysuit paired with one of the most unique pieces of the show - utility-style denim trousers, complete with a cargo-style belt. I’m obsessed. It was very futuristic, but also gave me an odd sense of nostalgia, I can't figure out - as if I've worn something similar before. Among the beautiful craftsmanship displayed throughout the collection there was of course some questionable looks. Case in point - Mesh. Mesh is not my friend - I find it tacky 99% of the time. This look in particular - Look 8 (shown above) - featured a beaded mesh cover up dress, but it wasn’t covering up much. With only two thin strips of fabric covering the nipples, the poor model was out on display. From afar it actually looked quite cool, and I definitely have to give them points for originality, but it just wasn’t my cup of tea.  Overall Off-White SS26 had a bold, unique, and yet balanced remix of what the brand has always done best - streetwear. Merging culture, craftsmanship, and chaos into something that somehow works. Kamara is proving that Off-White can evolve without losing its edge.  If this collection is any sign of what’s next, streetwear’s future might just be saved. They did it all in this collection: Graphics, Prints, Abstracts, Florals, and even sequins! It was Off-White through and through, just with a renewed sense of purpose.  With love,  Mimi x

Look 22 This collection surprised me actually — and not in the way I expected. Scrolling through the looks one by one, I initially felt underwhelmed. The first few pieces lacked energy, and for a moment, I feared this would be added to the list of forgettable shows. But then — feathers, oversized neckpieces, tassels, silk! Out of nowhere, the collection seemed to wake up, and so did my interest. No, this isn’t the best collection I’ve ever seen — but it’s far from the worst. The pared-back colour palette works here, because Fforme has built its reputation on refined minimalism. And in yet another sophomore appearance at NYFW, the expectations were undoubtedly high. Fforme has gained traction in recent years for its sculptural approach to minimalism, and that’s exactly what this collection delivers. A total of 38 looks, 95% of which stick to a monochrome theme - with subtle hints of other neutrals. Then comes Look 23: Royal Blue. And later, Look 33: Neon Green. These sudden bursts of colour, scattered every ten looks or so, cleverly break up the rhythm and refresh the viewer’s eye just as the palette risks becoming monotonous. See the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/fforme/slideshow/collection#1 Even in the simplest silhouettes, there’s something structurally unique. The garments are crafted in a way that allows them to sit very precisely on the body. The four feathered pieces, two dresses, one coat, and one top, all in black and white, were a playful, seasonal touch that felt perfectly in tune with the Spring/Summer theme. ABOVE - LOOK (in order) 21, 24, 27, 9 My standout favourites were 100% the dresses. Look 21: a silky, sculpted gown that somehow manages to drape loosely while still accentuating the waist. Look 24: a navy knit-blend dress with cascading feathered details — undoubtedly my favourite of the entire collection. It’s elegant, chic, and effortlessly dramatic. Look 36 Look 27 and Look 9 were equally beautiful, with refined, wearable silhouettes that still offer interest and flair. The styling stayed true to the brand's minimalist ethos. Accessories were kept to a minimum, allowing the garments to speak for themselves. The models all wore simplistic flip-flops, a quiet but effective reminder that this is a Spring/Summer collection. Overall, Fforme delivered a collection that builds on its core identity while offering just enough surprise to keep things interesting. It may have started slow, but it finished strong with a thoughtful, modern take on minimalism. With love, Mimi x

Nicholas Aburn Debuts for Area with S/S26 Collection - Look 33 In Nicholas Aburn’s debut collection for Area, after leaving Balenciaga as a former couture designer earlier in the year, this Spring/ Summer 2025 collection of his was very much anticipated in the industry. It is always exciting to see a talented artist transition from one brand to another as they then switch their creative thinking to prepare to channel the new fashion house.  However Aburn really got it right this time. The show was superb! With technical excellence and fabric manipulation at its highest form, there was a subversive edge to the collection. One that is unmistakably Area - the exact role of a creative director! He’s really hit the nail on the head first time round.  Let’s get into the show…  Colour palette:  White, Black, Red, Silver, MULTICOLOURED GLITTER!! Favourite looks: Look 10, Look 14, Look 21, Look 24, Look 27, Look 33, Look 35, Look 38, Look 40 Questionable Looks:  Look 6, Look 17, Look 19 View Full Collection here: Vogue Runway – Area Spring 2025 Now this is high fashion! Thank god someone finally brought some fun back to the runway! We’re only on day two of NYFW, but many shows so far have played it pretty safe - muted palettes, structured silhouettes, and very little risk. But not Area. ABOVE - LOOKS (in order) 38, 40, 41, 39, 35, 37 The final seven looks (shown above) of this collection? Insane (in the best way). Sequins everywhere. One model looked like a pom-pom, another like a glimmering speck of glitter, and one literally resembled a bow on a Christmas present. It was absurd, fabulous, and completely experimental — everything high fashion should dare to be.  These closing looks were a bold contrast to the first 35, which stuck to more muted tones with occasional pops of red, blue, and pink. But the glitter finale wasn’t just random chaos -  it made sense. Jewelled details were woven throughout the earlier looks too: bangles, earrings, statement tops… so the transition felt authentic. One of my favourite moments was the denim and tailored black looks. The distressed denim worked beautifully with the sleeker pieces. And can we talk about the mini skirt/jean hybrid? The tied, stuffed pant legs created this clever 3D effect — a fun twist on a basic shape. I loved the black version even more than the denim! It was very much giving a corporate fashion icon's dream. The denim dress with a distressed knee, styled with matching denim heels, was another highlight - the styling here was so sharp & cohesive. The collection is fun, unique, clever and magical. I am very much impressed by this marvellous collection!  ABOVE - LOOKS (in order) - 27, 24, 14 If I had to nitpick, the only thing that felt out of place was the two bedazzled and deconstructed basketball jerseys (Looks 6 & 17) They leaned more tacky than chic and didn’t quite fit the tone of the rest of the collection. That said… They were bedazzled. So technically, they did align with the glitter-soaked energy of the final looks. Nicholas Aburn had a lot  to prove stepping into Area as the new Creative Director — and he delivered. Aburn has had a showstopper of a collection! This debut was fearless, technically brilliant, and genuinely exciting. I can't wait to see what he does next. Area’s edge has now been proven to be safe in his hands. With love,  Mimi x

Michael Kors just presented his S/S26 Collection in New York as the first scheduled show to officially open NYFW. With a jaw-dropping guest list of fashion icons, and celebrities, the pressure was on. The Michael Kors website describes their Spring/ Summer 2026 collection as: "EARTHY ELEGANCE, RELAXED EASE, LIQUID DRAPING AND SOFT TAILORING, CLOTHES THAT CATCH THE BREEZE, THE MOVEMENT OF FRINGE AND TASSELS, TRANSPARENCY, TEXTURE, WARM SUNSET TONES, ARTISANAL ACCESSORIES, LAID-BACK GLAMOUR, SPORTY SENSUALITY." Look 9 (My Favourite) Thankfully Kors managed to hit the nail on the head. There is no denying they perfectly encapsulates this. Now I'm here to share my opinions on the collection… The one thing i have to comment on is the Boho - Chic take that seems to have truly been channeled throughout this collection. Fringe is definitely a friend to Kors. Elegant monochromatic looks with a Bohemian twist. Many of the looks featured large Gold jewellery accessories - Kors is most definitely claiming Gold is the colour of S/S26! These gold pendants hung from thin strands of leather, creating an effortless ‘cool girl’ vibe. Let’s get into the show…  Colour palette:  Brown, Black, White, Cream, Grey, Beige, Yellow, Pink, Khaki, Gold  Patterns: Stripes (not excessive) , Snakeskin, Weave Details:  Tassels, Sequins, Bangles, Belts, Gold Favourite Looks: Look 1, Look, 5, Look 9, Look 10, Look 33, Look 40, Look 47   Questionable Looks: Look 22, Look 24, Look 27, Look 29, Look 46  You can watch the entire show here: Largely the looks followed a monochrome ideology, with a colour palette of mainly neutrals, which looked very put together (soon to be followed by a few honorary coloured looks). With a variety of shades, the monochrome worked really well with the entire energy of the collection, as well as the location. Creating great cohesion.  Fabrics were light and breathable, with delicate chiffon scarves that served no real purpose other than to elevate the elegance. The subtle sheerness added depth and a sense of quiet luxury. However, the unexpected use of mesh felt jarring. A pale pink mesh dress (Look 29) made an unfortunate appearance towards the end, coming across as rather cheap, and to make matters worse, a trench coat with mesh panels followed. Absolutely not. When it comes to patterns, there was little on show from Kors, aside from a few looks featuring varying stripe widths. Striped trousers offered a subtle point of interest, while the addition of an understated velvet trim on some skirts was a thoughtful detail that added a touch of texture.   ABOVE - LOOK (in order) 1, 5, 10 My standout look has to be the all-brown ensemble featured in Look 9 (shown at the top). A rich, monochromatic tailored suit, cinched with a double-wrapped belt that sculpted the silhouette to perfection. The brown-on-brown accessorising was masterful, fringed shoulder bag and dramatic statement earrings, with tassels so exaggerated they grazed the chest. It was all about elongation, movement, and bold confidence. The accessorising across the collection was undeniably strong, with a consistent fringe motif tying many of the looks together. One bag even featured fringe so theatrically long it nearly swept the floor - fabulous for the runway, though perhaps not the most practical choice for everyday wear. As well as woven bags, and snakeskin print clutches. Another great, yet confusing accessory was the recurring wallet necklace. Many of the looks featured a small, cardholder-style wallet dangling from the neck. I'm still not entirely sure how I feel about it... functional or just odd? Imagine paying for coffee by whipping out your necklace! Simplistic silhouettes made a return - like the kimono-style shirts, which I loved. Timeless and effortlessly elegant, but the soft tailoring was my favourite. ABOVE - LOOKS (in order) 33, 40, 47 The collection overall featured very little pattern, but this minimalism worked beautifully with the tone. The bohemian undertones were perfectly channelled, and the use of monochrome tied everything together seamlessly. It wasn’t all monochrome, though. Towards the end of the lineup, we saw flashes of colour - honorary appearances from yellow, pink, khaki, and gold. One look in particular stood out (for the wrong reasons): Look 46 an overwhelmingly gold trench coat that felt completely out of sync with the rest of the 55 looks. It looked ridiculously cheap - as if it were made out of tinfoil! That said, the final walk-through brought the collection together well. Despite some scattered use of colour, the overall vision remained strong. While not every look landed, Kors delivered a collection that felt wearable, refined, and quietly luxurious - with moments of boldness that (mostly) paid off. A good collection, if not entirely consistent. Just maybe... skip the mesh next time. With love, Mimi x

Look 10 Ralph Lauren: Ralph Lauren presented his S/S26 Collection with an intimate experience last night September 10th. Deciding this year to stick closer to home for his spring ’26 fashion show. He returned to his own private design studio at 650 Madison Avenue in New York.  While the official NYFW schedule officially begins Sept. 11 and runs through Sept. 16. The designer has for the last few years been staging runway shows in experiential spaces, not always within the official window. As he nears his 60th year in business, I think this gives him the right to have his own dates for the season!  Now let’s get into the show…  Colour palette:  White, Black, Tomato Red. Patterns: A myriad of stripes, Lace, Floral  Favourite looks: Look 2, Look 10, Look 12, Look 19, Look 31, Look 32, Look 33, Look 45  With a collection of 50 looks there is lots to see, below is a video of the entire collection:  Lauren has a talent for creating collections that feel youthful, understated, and effortlessly timeless. Season after season, he delivers pieces that are unmistakably Ralph Lauren, a skill few designers truly master. All the stripes displayed screamed Spring, paired with raffia heeled sandals that felt relaxed yet refined. Summer energy flowed through the show, but the bold Tomato Red touches (as I predicted in an earlier blog post…) allows for an equally Spring appeal. ABOVE (in order) LOOK 33, 32, 31, 19, 2, 12 Look 31 was a standout - The effortless striped shirt, paired with a connected tie feature as a belt! It was masterful! Paired with a miniscule bra top, and chunky silver statement necklace. Simple, but absurdly sophisticated. Through his designs, it’s clear: Lauren loves women. Look 19 was just as striking - a tomato red two-piece suit with floaty trousers and a perfectly fitted blazer. Sharp yet soft. I think this one is my overall favourite from the collection! Other favourites (shown above) include: Looks 2, 10, 12, 32, 33, 45. Elegant draping, thoughtful silhouettes, and more dreamy stripes - this was craftsmanship at its best. Atmosphere & Applause: The front row was stacked: Laura Dern, Mindy Kaling, Oprah, Usher, Naomi Watts, and of course, Anna Wintour alongside newly appointed head of American Vogue - Chloe Malle. When the top two names in fashion show up, you know you're one of the best. Each model strutting down the runway to a soft hum of the Bee Gee’s “More Than a Woman”, with razor-sharp jawlines and graceful movement. The white studio backdrop elevated the collection’s elegance, while the refined, yet on trend colour palette, white, black, and tomato red, felt modern and clean. Following the finale walk, Lauren’s final wave earned well-deserved applause. There are only a select few designers who consistently can get such a reaction, and that is the magic of Ralph Lauren. Once again, he’s set the bar high for NYFW. With love, Mimi x

September is the month that provides fashion lovers with enough ammunition and conversation points to last until a much needed top-up in February.  And this set of shows could set history with an almost absurd amount of Creative Director changes. It’s the biggest season I've ever witnessed in my lifetime and I am so eager to see what all the ridiculously talented designers and their enormous teams are ready to serve us for the next season.  Starting off tomorrow in one of the most fashion crazed cities in the world. New York. With over 60 shows and presentations set to take place over the week. The fun starts tomorrow with designers such as Ulla Johnson, Michael Kors, Forme, Alexander Wang, and so many more. I couldn't be more excited.  My personalised PDF for New York Fashion Week is shown below - colour coded and everything. Or you can find the clear (unedited by mimi) schedule linked below -   New York: New York Fashion Week The talent that goes into putting together one singular fashion show is beyond fathomable. From those on the front lines creating a vision, from Creative Director, to designers, pattern makers, sketchers, fabric sourcers, seamstresses, embroiderers, stylists, ateliers. To those who manage and organise the logistics - garment technicians, production managers, assistants, casting directors, producers, light & sound directors. To those who deal with RSVPs and guestlists, PR team, photographers, and social media team. And finally to those you see on the big screen, the models themselves & the gigantic team behind them - stylists, makeup artists, hairstylists. The list goes on and on.  A small, emerging designer still requires at least 10-30 people to even make a collection to show feasible. Whereas mid level brands will have from 30 - 70 people on hand throughout the process, and even larger brands way into the hundreds. There are approximately over 350 fashion shows each season. CRAZY. The amount of talent that showcases is insane. It would be near impossible for one person to track them all. So I am going to provide you with ones you cannot miss, from classics, to emerging designers, and debuting talent. There are so many amazing designers showcasing at NYFW. I’ve split these into 3 separate categories to make it easier to prioritise which shows you want to watch! Hope it’s helpful, I know I’ve marked my calendar for a handful of these shows.  Can’t-Miss Shows Established names and major moments guaranteed to dominate headlines and social media. There are 11 i’ve marked on the pdf, the shows you absolutely cannot miss:  Michael Kors - The official kickoff: September 11th @11am -  Marking the formal launch of the American Collections. Always polished and packed with celebs. You cannot miss the opening show to fashion month! Will they bring back the vintage vibes? Or channel a more futuristic vibe, or maybe they’ll play it safe...  Off‑White - September 12th @4pm -   A return to NYFW. The return of a streetwear powerhouse under Kamara’s bold editorial direction. Alexander Wang - September 12th @9:30pm -   A high-profile return, likely to be dramatic and high-energy. The show coincides with the anticipated calendar debut of SC103  (a must see emerging designer)  Tibi (Amy Smilovic) - September 13th @10am -   A minimalist fan-favorite for cool-girl tailoring. I am so eager to see what's in store for this one. Jason Wu - September 14th @5pm -   Known for elegance and celebrity clients, always a crowd-puller. Toteme - September 15th @10am -  Quiet luxury with Swedish refinement. So many other NYFW classics also return to the runway such as: Collina Strada, Tory Burch, Coach, Khaite, and Ulla Johnson. All returning to deliver their new collections through the weekend. Ensuring the runway stays grounded in classic, polished aesthetics from reliable favourites.  Debuts and Comebacks to Watch Designers or brands either showing for the first time, making major transitions, or relaunching under new creative direction: Nicholas Aburn at Area - September 12th @10am - A debut collection from the former Balenciaga couture designer. It is always exciting to see a renowned creative director transition and see what they do with the new creative freedom. Expect technical excellence with a subversive edge. Calvin Klein Collection (Veronica Leoni)  - September 12th @12pm - Her sophomore collection could redefine the brand's trajectory under her new leadership Fforme (Frances Howie) - September 12th @2pm - Another sophomore show, gaining traction for sculptural minimalism. Emerging Designers Designers who could potentially be the future of fashion, emerging talent has to be given a chance to make waves with fresh perspectives. Below are a few of my favourite up and comers at NYFW: Maria McManus - September 12th @9am - Minimalist, sustainability-driven, and refined. Zane Li (Lii) - September 16th @3pm -   An up and comer,  pushing experimental silhouettes. L’Enchanteur - September 11th @4pm -   CFDA/Vogue Fashion Fund winner ; known for mystical, futuristic flair. This is a must watch. I even have it in my calendar. I mean, they won the Vogue Fashion Fund! Come on.  SC103 -  September 11th @4pm -  Conceptual accessories label making its calendar debut in the big leagues. I am so eager for the first of the four fashion weeks to start! We’ll be reporting  across all 4 cities throughout the month. Telling you beforehand all the shows you need to be on the lookout for, possibly even book time off work ( i know i would). From emerging designers to debuts with new creative leads. I’ll spare no one's feelings (and that’s a promise) I’ll be with you each and every step of the way. Reporting live twice a week. Mid week reports on what's been good so far and what’s to come. As well as of course an end of week review reporting firsthand what's MAJOR and what was hated.  With schedules focusing on a mix of heritage brands, debuts, and emerging talents. I’m overjoyed and slightly unnerved to see what masters such as Chanel, Loewe, Gucci etc have up their sleeves. As well as the most anticipated debuts of new creative leads - link below to our blog post all about this insane Creative Director swapover. But above all else i'm excited to see what emerging talents, the future of fashion have to offer. I love emerging designers because they have more to prove, more to work for - which gives them edge, a much needed characteristic when in the face of fashion. I hope you’ve gained some knowledge and filled your calendars with this info, there are so many more amazing shows coming after NYFW. It just gets better and better, I cannot wait for the grand finale of fashion month. Paris Fashion Week. The mother of all mothers. But while we remain waiting for that one, I'll fill you in on all there is to know before we get there.  With love, mimi xox

As Miranda Priestly once said, “florals for spring. Groundbreaking.”  I too am not going to underwhelm you by producing orange tones & neutrals for Autumn. I’d hate to be that predictable.  Some of my observations and trend forecasting could potentially seem pretty rogue here but I have faith in my eye for trends and I'm gonna go for it. Even if you guys struggle to believe it. Just watch. You can screenshot this and prove me wrong if you don’t see any of these colours or patterns around. I’m telling you - it won’t happen. 5 core colours to know about this Autumn:  Now cracking on with the colours I predict will take over the season. I’m gonna start off bold with the red colour palette. Last year it was all Burgundy, Burgundy, Burgundy. This year, I think fashion will take a new turn.  Tomato Anyone? Tomato red is quite a statement however in this drastically evolving era in fashion i think people are already, and will further, begin to branch out and experiment further.  The hues are endless, but I've put a few of my faves above.  I want to see people brighter than freshly grown tomatoes.  If you still need some convincing, envision a tomato red mini dress with knee high black boots and a black trench coat. MWAH. GENIUS. I will be wearing that this Autumn.  You can even tone the outfit down with more neutral toned garments, and think about the range of a tomato. You’ve got Cherry Tomatoes, but also Plum tomatoes, and then Sun dried! Tomato takeover.  Maroon Merlot - Merlot, Red Wine, Maroon. I am in love with this colour palette! For those who love red, but prefer a more muted tone I have lots of faith in this one. I think Maroon and red wine kinda colours are really going to take over this year.  To be very specific I'm going for a Merlot shade. Try to tell me I'm wrong - I dare you. I’d even put money on it that this will be a shade of the season.  Muted enough to feel understated, but rich enough to make people look twice because of the maroon tint it possesses. I’ll see you in my Merlot coloured trench in October…  Plums & Purples this is stunning! I have never been one to talk about purple, however I have been recently intrigued by a deep royal purple hue that I can only describe as plum violet. I must have seen one fashion diva wearing it that looked so amazing  it’s changed my entire perception of the colour.  The Plum Violet swatch ( below left) is a perfect, cohesive, silky colour that literally screams elegance and sophistication. Purple is so back and I'm ready to see it in the upcoming fashion weeks (I hope!) As a once purple hater, I am now converted. The colour is stunning - I never thought I'd say that, but by taking a look at it I hope you can see the vision.  If you aren’t such a fan of the deep purple tones, I think pure plum is going to blossom this year. Stemming from the red family. Plum is such a good colour to play around with because like a tomato there are a spectrum of shades. Giving the perfect mix between red, pink and purple. If anyone's wearing purple I expect it will be more of a plum kind of palette as opposed to deep violet - most people like to stay safe than sorry.   I’m hopeful purple will have its rightful moment at the top of the colour pyramid for a while, after all it is the royal colour for a reason. Fun fashion fact: The royal purple shade was historically was very rare to find and expensive to buy! The dye was made from rare sea snails. No wonder Ralph Lauren Purple Label will set you back an entire house deposit. Look like a royal, feel like a royal, wear purple like a royal. I always did want to be a princess.  Browns. Obviously. Brown almost overwhelms me to think about, because of the sheer variety of tones to choose from. Chocolate is never going to go out of style. There is nothing wrong with a classic after all. Brown oozes elegance to me, it speaks volumes and easily elevates any outfit.  I have definitely been influenced this year by the brown takeover. Coffee, tiramisu, chestnut, almond, chocolate, martini, mocha the tones are again endless and I definitely have a few handfuls of them in my current rotation. Pantone's colour of the year for 2025 has been labelled Mocha Mousse for a reason. See here - Pantone - Mocha Mousse: Colour of the year 2025 I’ve put my favourites below that I think are going to devour and likely decimate the colour palette this Autumn (at least I hope so, or I'll have to sell my wardrobe). Mint Green   Spotted on the runway for the A/W 2025 season back in February, McQueen amongst others displayed mint green tones in superbly cut gowns. Most people won’t be donning mint-green gowns, but trust me, the shade will trickle down.  Rihanna herself stunned in mint green while attending an A/W show, so if RiRi thinks it’s cool. It’s cool. As quoted in Vogue, “Rihanna wore a custom look that celebrated Anderson’s new take on tailoring, with a waistcoat fastened over the singer’s bump, realised in a mint shade that was seen on the runway.”    Steer clear of Burnt Orange/ Rust - Let’s cancel the burnt orange and rusty colours. It’s giving millennial and very much 2015 vibes. That could partly be because I had a rust coloured cringey slogan jumper from Primark which haunted my wardrobe for 4 years. The Rust Pantone snapshot is exactly what I'm referring to. Too orange to be brown and too brown to be orange, it reminds me of freshly dug clay, and that’s not quite the earthy aesthetic I’m going for. To each their own, if you think it’s a good colour please do let me know below because I would love to know if I'm accurate in my opinion or if my orange jumper from Year 7 has caused irreparable damage to my colour theory. 4 patterns to keep an eye on this Autumn… Colours may dominate the runway, but patterns bring them to life. Here are five prints I’m wiling to place bets on for this season. Bad or Plaid?  Of course we have to have plaid, but this Autumn I want a really confusing amount of lines. I’m talking about the most confusing plaid you’ve ever seen. I want to be so perplexed by the amount of colours intertwining that I get a bit lost.  A cohesive mix of colours interwoven at different thicknesses. Scarfs, dresses, t-shirts, trousers, accessories. Trust me you will be seeing it. So many crossovers that it looks a bit like my visions been impaired and all I can see is lines. Do you get the vision? Leave a cheeky comment below… Teeny Tiny Polka Dots  Specifically, I want to see micro polka dots, very small prints. Even more specific than that, I want to see more high- end print production. I think there is something so charming about a hand drawn pattern. Nothing confusing or complicated, just small imperfectly perfect handdrawn polka dots.  How cute! A little hand drawn polka instead of the mass produced, overwhelming amount of fast fashion factory printed patterns we are seeing more and more.  Lacey, Lacey, Lacey  Now lace is a tough one because it’s a fabric and a pattern, however the majority of lace floating around the industry isn’t authentic lace anyway so I'm going to consider it purely a pattern. I think there will once again be an influx in lace trim.  Not only that but entirely lace garments have once been a trend, and I'm sure still will be at some point. However, this year I want to see a bit more modesty, perhaps lined lace, with a statement colour underneath and lace on top. That could be really cool.  Patchwork  As a designer myself I know for a fact how time consuming and how much effort goes into patchwork. I’m not talking about patchwork prints which can be mass produced and look alright from afar but not anywhere near as charming and endearing as a real patchwork piece.  There's already been an increase in the scandi style patchwork padded jackets, i’m gonna predict a rise in these jackets. Fingers crossed. Patchwork is so artistic in the way that an artist has complete artistic freedom to curate each and every pattern to create one massive design that then becomes a walkable art instalment. I’m excited to hopefully see more patchwork around this Autumn. Time will tell  Will I be accurate or will this become an embarrassingly bad piece of evidence to add to my otherwise quite strong trend forecasting streak. Only time will tell and I'm hopeful at least some of these colours are going to end up sprouting to life in the coming months. Either that or my vinted favourites and my overflowing shopping carts need to be emptied immediately. Do you agree with my Autumnal trend takes?  with love, mimi xox

With fashion weeks approaching, I think it’s only right to tell you how I got into the modelling industry. A model scout. A goal. Never giving up & lots of screaming. The story of how I got scouted is not very conventional. Subconsciously, I think I’d always wanted to be a model. The women in magazines were the coolest people ever to me. I started buying fashion magazines with my mum at the supermarket and thought, “ Wow, they must be super famous”  -  how naïve I was. Some of my favourite shots even made it onto my wall, held up with a 4 year old piece of blue tack. Now, not even 10 years later, it’s WILD to say I actually am one of those women. All because I was scouted at the ripe age of 16. At the time, I thought I was fully grown and had peaked in life. GCSEs: smashed. Started Year 12. Working part-time in a luxury department store. Girlie really thought she had it all figured out. A 12 year old dream  I’m going to give you some backstory first because it’s necessary to the story development! Let’s rewind to 12, I begged my mum to take me to London to visit modelling agencies. How delusional I was to think that I was old enough to become a model when I hadn't even gone through puberty yet - and was max 5’1. (Thank god for the growth spurt.) the infamous "worlds most beautiful girl" As a Year 7, I really thought I could be the next Kate Moss. That infamous picture of the most beautiful girl in the world really was my inspo from 2014- 2017. I used to Google “most beautiful girl in the world”  and lowkey expected to see my own face pop up. Delusional isn’t even the word. 12-year-old Mimi was an icon… but also, such an idiot. When Mum laughed in my face and said no, I waited it out. At 14, I begged again.  Once again I was hit with a hard no. Thankfully by this point I was aware of the internet. So, I took matters into my own hands and applied to about 10 London-based agencies: Storm, Next, Premier, Milk, Models1, Select, Elite, Wilhelmina, Nevs, IMG. I applied to the lot & received a total of zero responses. Shocker. I love this quote. Third Time’s the Charm Fast forward to 16. I was scrolling through TikTok and saw some model diva living it up during fashion week in Paris, and thought: ' Why am I working part-time for pennies when I could be doing that?' So I sent off some selfies and a little video -  I can’t even remember where, but I do know Premier, Storm, and Milk replied. All within 48 hours. Going from zero interest whatsoever to then three major agencies emailing me? Insane. I’ve never known a feeling like it! The Big Day Picture it now. Great Western Railway, 4 lattes to calm my nerves (which actually did the reverse and made me shake like crazy instead) , and a trip to London with my mum to meet with three of the most prestigious modelling agencies in the country.  Milk Model Management: First on the list was Milk. As a 16 year old fetus I hadn't heard of Milk at the time and didn’t have any expectations because I didn't want to end up disappointed.  Milk were everything and more. We walked in, the entire team looked at me and I felt immediately welcomed and calmer. The scout that had reached out to me came over first and asked a few questions, to which me and mum tried to maintain calm and cohesive answers for. Then he went and discussed it with the head of the New Faces department and the other bookers.  my first ever contract! I remember it so clearly! They all stood over at the main managers desk and peered over at me. After what felt like 20 minutes of deliberating the entire team came over to say hello. Which both overwhelmed and overjoyed me all at once.  The head of the New Faces department came and sat down with me and we had a little chat. To which she then ended by offering me a modelling contract. CRYING. I almost died on the spot, but had to remain composed and collected - particularly so because instead of saying “yes, yes, yes”  like I wanted to. I had to say, “I have two more meetings to do today, I'll have to let you know.”   Nonchalant isn’t in my emotion list so this was a big struggle for me.  The entire team already felt like family and I knew Storm and Premier had a run for their money if they too offered me contracts. We went shopping in the break between meetings and I remember being in the changing room in Urban Outfitters and I was so excited I audibly squealed and had to jump up and down. Happiest girl ever.  Storm: We met with Storm next. I was already ecstatic knowing the remaining meetings could go awful and I already had a contract waiting for me! The most prestigious agency in London and my most anticipated visit of the day. As we walked in, me and mum could already tell we didn’t like it. Weird vibe. I’m gonna throw a curveball here and say they rely on their name too much. You may have scouted Kate Moss but that isn’t enough to allow you to be impolite.  They were nice enough, took pictures and we chatted, they said they would let us know about the outcome in a few days, but the energy was so off. We both agreed: even if they offered me a contract, it’d be a no. Premier: Warm, welcoming, and professional - they were lovely. The team was lovely and they made us feel so welcomed. We filled in forms, chatted with the heads of New Faces, and it was a great experience. I honestly don’t have a bad word to say about them. But by then, Milk had already won me over. The Yes I emailed Milk over dinner to tell them no one had beaten their unmatched vibe of happiness and friendliness. To which they responded almost instantaneously with a heartwarming picture of the whole team crossing their fingers, captioned with. “We’ve had our fingers crossed all day”  It was a yes to Milk - who I have proudly been represented by for the past 3 years.   Having a modelling contract offered to me was an absolutely insane moment and something I'll always be proud of for putting myself up for and getting the process started myself. Maybe I was impatient, or maybe it was proactive thinking but either way I am proud to admit I got the ball rolling and made this happen for myself. Sure, it’s a dream to be scouted at a festival or on a train, but if that doesn’t happen, don’t wait around. Be proactive. Take the selfies. Send them in. Do it for yourself. If you’re feeling inspired, here are some of the best, most genuine agencies (in my opinion) to apply to: Milk - https://www.milkmanagement.co.uk/apply Premier -   https://www.premiermodelmanagement.com/become/ Nevs - https://www.nevsmodels.co.uk/apply Select - https://apply.selectmodel.com/ Make things happen for yourself - it feels even better that way.  With love, Mimi  xox

buzzing to analyse the shows. eeek - credit to original source According to the Vogue September issue, the Vogue office girlies have been referring to this upcoming season as the “Super September”  - and I couldn't be more excited. So, having magpied this little phrase, I think it’s only right that this post features the most anticipated event lingering in the coming weeks: Fashion Month. From the abundance of new creative directors flooding the industry this season, to the sense of community it brings, and the transition to Autumn, this fashion month is going to be a big one . All of fashion's biggest faces can sense a shift and are anticipating an imminent new phase in the industry. You already know it’s going to be insane. Twice a year, London, Paris, Milan & New York transform into one enormous fashion ecosystem as buyers, editors, designers, and style aficionados descend upon the streets for fashion week. Chioma Nnadi (Head of Editorial Content at British Vogue),  said in the September Big Fashion Issue  that:  “The creative directors limbering up to unveil their first collections for major fashion houses this season are almost impossible to name without taking a breath: Matthieu Blazy at Chanel, Louise Trotter at Bottega Veneta, Pierpaolo Piccioli at Balenciaga and Jonathan Anderson’s womenswear debut for Dior. The list goes on.” Fashion’s greatest reshuffle.There has never been such a crazy transitional window, not in my lifetime at least. Let’s talk about it. Matthieu Blazy at Chanel - credit to original source Matthieu Blazy taking over at Chanel Chanel is a personal favourite of mine, and I'm somewhat protective of it. In December 2024, nearly seven months after Virginie Viard's shocking departure, Matthieu Blazy was announced as Chanel's new Creative Director - entrusted with haute couture, ready-to-wear, and accessories. Having previously reinvigorated Bottega Veneta with standout designs, I’m hopeful for Blazy because his designs tend to feel incredibly fresh, and I’m eager to see what he has in store for Chanel.  He is set to unveil his debut collection at Paris Fashion Week in September. Louise Trotter at Bottega Veneta - credit to original source Louise Trotter at Bottega Veneta Bottega has a very clear vibe, and with Trotter stepping into the role following Blazy’s departure (appointed in December 2024), I’m confident she has the exact concoction of creativity to deliver what Bottega oozes. Trotter has already quietly previewed her aesthetic with custom looks, her designs tend to be structured and elegant, a very restrained but impactful vision that I think aligns beautifully with the Bottega DNA. I’m actually really excited for this show.  Her first full collection will debut at Milan Fashion Week in September. Pierpaolo Piccioli at Balenciaga - credit to original source Pierpaolo Piccioli at Balenciaga Balenciaga 's parent company, Kering,  confirmed on 19 May 2025 that Pierpaolo Piccioli would succeed Demna Gvasalia  as Creative Director. It's a remarkably quick turnaround, having only received the handover in May,  but his resume speaks volumes. Having designed for the likes of Valentino and Moncler, and as someone who’s admired some of his work at Valentino, I think Balenciaga is a good fit. His designs tend to be simplistic, but with interesting, sharp cuts & shapes - something Balenciaga is also known for.  His S/S 2026 collection will be unveiled during Paris Fashion Week in September, marking his first outing for the house. Jonathan Anderson at Dior - I'm so anticipating this - credit to original source Jonathan Anderson at Dior - Womenswear In a historic move, Jonathan Anderson has been named Dior's sole Creative Director, covering women’s, men’s, and haute couture collections. Crazy! The first designer to hold all three roles since Christian Dior himself. But honestly, it couldn’t have gone to anyone more deserving. He truly proved himself at Loewe , holding the role for a decade and making remarkable progress for the fashion house. I completely agree that he suits this role. He already debuted his first menswear collection in June, showcasing his unique vibe. It was praised by the media as a “quiet revolution”  at Dior, noting his elegant, craft-conscious aesthetic and fresh layering approach. I’m ecstatically  waiting to see his first womenswear collection. Who knows I could even get to walk it - someone send this article to the casting director ;) xox  “We need to dial up London Fashion Week again” Do not fear, even though the majority of new Creative Direction seems to be hitting Milan and Paris, London is definitely not being left behind. Laura Weir , the newly appointed CEO of the British Fashion Council (BFC), is set to attend her first London Fashion Week in the role. She’s only been in the job for a few months and has already made instrumental moves for the British fashion scene -  including scrapping fees for BFC members, allowing more emerging designers to get involved. Which, in my opinion, is very commendable. In an interview with Julia Hobbs in this month’s Vogue , Weir says, “Brace yourself for London Fashion Week. This is the start of a different era.”   !!! Major You can feel the shift as it’s happening. The industry is going through vast changes, and I cannot wait to write about all of it. I can’t wait to experience it firsthand from the modelling perspective. #CatchMeOnTheRunway I’m elated to be in an age of such development and creativity, just now coming into a fast evolving part of my career, growing and exploring multiple pathways in the industry. (Mainly because I’m indecisive and want to experience it all.) I can’t wait to see what this new era of fashion brings - and of course report it all to you.  Loewe — one to watch Jack McCollough and Lazaro Hernandez take over Loewe. credit to original source Loewe is interesting to talk about because, as one of LVMH’s oldest fashion houses, it has a standard to maintain - especially coming off a ridiculously successful decade run by the iconic Jonathan Anderson. Under his Creative Direction, the house quadrupled its revenue. Iconic.  Now, I’m eager to see (and judge) Jack McCollough and Lazaro Hernandez,  the creators of Proenza Schouler and newly appointed Creative Directors of Loewe.  They’re two of the only ones in this new creative director mix without prior experience at the helm of a major fashion house. That’s a lot of pressure. Can’t wait to see what they’ve got up their sleeves. We’ll find out on September 27th , when they showcase their talents at Paris Fashion Week. One shot to leave an impression. They better have come to win. Because the fashion industry is ready to judge.  In an interview with Maya Singer, McCollough & Hernandez said something I really admire: “The important thing is getting the vibe right.” “But filtered through the codes of the House. Us, but LOEWE.” Here comes the biggest fashion month... Honestly, this is such  an accurate way of articulating a creative director’s job. They’re a vessel, trusted temporarily and given the honour of sharing their take on a brand. To tell the house’s story at this moment in time. The only constant in the equation is the fashion house itself, and the direction they choose should always be reflective of its core essence and history. Set your calendars, divas. Links to the fashion week schedules can be found below: New York: New York Fashion Week London: London Fashion Week schedule Paris: Paris Fashion week pdf Milan: Milan Fashion week pdf This ‘ Super September’  is going to be a good one. With love, mimi xox