London Fashion Week (SS26) London fashion week starts today, the 18th of September. Potentially the most anticipated week for me and my cohort, because as a London based model myself it is usually packed with lots of tiring days full of castings, as well as some brutal rejection, sometimes a booked show, and almost always very late nights. However this year, I've decided to step away from the limelight for only this one season and instead focus my energy into documenting LFW and all the amazing shows coming up! Since SS25, just last year, there has been an 18% increase in designers at LFW. With over 70 designers showcasing their physical collections and over 23 digital collections set to feature over the next 5 days. London FW is going to feature a ridiculously large range of talent and I'm very excited to observe and report all that happens.  London SS26 collection features a range of labels, from Burberry, Simone Rocha, Roksanda to more emerging names and debuting designers. I’ve made a personalised colour coded pdf of the schedule with my recommendations on what you must see, and which shows to prioritise this LFW. Here she is:  very neatly organised for you xx And if you want the plain version and don’t care for my personalisation, here is the original schedule pdf: London Fashion Week schedule Can’t‑Miss Shows London always tends to carry more English designers than anything else - I mean it is London. The established, globally recognised names that get featured in publications such as Vogue, Elle, Harpers Bazaar etc. Below are a few of the shows I am most anticipating watching this year:  Harris Reed -  September 18th @7pm -  Theatrical, gender-fluid glamour meets couture craftsmanship, Reed themselves has an exquisite and quite theatrical fashion sense so it makes sense that Reed’s shows are more than just fashion, they’re stories. Paul Costelloe - September 19th @9am - A long-standing LFW favourite, known for refined tailoring and bold silhouettes that blend classic British heritage with modern flair. Paul Costelloe I have casted for before and may I just say - wow.  JW Anderson x BFC Special Evening Event - September 19th @8pm - Not just a show, but more of a cultural event: JW Anderson reimagines his brand with BFC’s support, setting the tone for creative renewal. Keeping more of his attention and building the anticipation for his main focus - his debut womenswear collection at Dior (which i cannot contain my excitement for!!)  Roksanda - September 20th @5pm -  Celebrating its 20th anniversary this season, expect more bold colour palettes and sculptural silhouettes that honour its legacy.  Emilia Wickstead - September 21st @2pm - Another returning favourite, known for refined tailoring, ladylike elegance, and polished simplicity. I almost walked for Emilia Wickstead last year for S/S25, the dresses were artistic masterpieces (unfortunately my lack of curves made the dress too big and the show was the next day - CRYING) Simone Rocha - September 21st @4pm - A global favourite, known for her intricate and feminine aesthetic - emotional, dramatic, and unmissable. Simone Rocha is one of my all time favourite British designers - and she's very sweet in person! My claim to fame is that she once labelled me - “the girl in the big boots” at a casting once. Marques A’lmeida - September 21st @3pm - Expect raw-edged denim, rebellious silhouettes, and a distinctly youthful energy as this duo continues to champion experimental London fashion with a punch of 2010s nostalgia and Gen-Z grit. This is a standout show for those who love directional, subversive fashion - so definitely worth highlighting there. Erdem - September 21st @6pm - Poised to deliver romantic tailoring and refined femininity, always a favorite of editors and many celebrities. Burberry - September 22nd @7pm - The most iconic British house, that consistently blends tradition with innovation. Burberry always brings exclusivity and British charm to their shows, and as a model who’s previously worked for them (but isn’t tall enough to walk for them) I am always in anticipation of their next collection. Emerging & Debuting Designers Fresh faces of fashion coming to LFW,  these are the voices shaping tomorrow (hopefully), designers who aren't known yet and may never be if these collections don’t go well, no pressure guys: Talia Byre - September 21st @10am - Launching her first official London runway; expect conceptual depth and emotional resonance. Conner Ives - September 22nd @2pm - Traditionally a February fixture, now making a high-profile September return after launching his politically vibrant “Protect the Dolls” line. Which helped to keep trans rights a focus as all proceeds from the collection went to TransLifeline.  Fashion East Showcase - September 19th @4pm -  The home of emerging voice bombs; expect runways taken over by the next generations favourites like Fashion East’s new cohort. Dreaming Eli, Richard Quinn, Rory William Docherty, Susan Fang, Nanushka - A powerful cohort of other emerging and developing designers also showing their collections at LFW, I'm excited to see if they can bring amazing work and make it big time in the most competitive industry in the world!  Although London is one of the world’s major fashion capitals, I think LFW, much like NYFW, often gets slightly overlooked compared to Paris and Milan. This season runs from Thursday 18th to Monday 22nd September, and while it’s only five days, it still packs a punch. Personally, I’m most excited for the weekend shows, with Burberry and Simone Rocha right at the top of my list! As a model myself, let me treat you to a quick personal anecdote from Fashion Week 2023 - just to give you a taste of the industry's brutal side. I went to a casting the day before a show. Soon after, my agent called to say I was 99% confirmed!!! I was ecstatic, told my parents, mentally prepped, spent the night doing skincare, practising my walk, and obsessively refreshing my inbox for the call sheet. It got to 11pm that evening and the show was at 10am the next morning. It was getting a bit ridiculous by this point so I phoned her and said “um hello where is it?”  to which my agent responded and said, "I'm so sorry but the show needed more diversity so they have chosen a different model.” As a white woman, I’m aware of my privilege and truly support diversity in fashion. All races, sizes, and identities deserve representation. But it hit close to home when I was dropped from a show purely to meet a diversity quota. That, to me, isn’t real inclusion. Diversity shouldn’t be about ticking boxes - it should be a natural result of genuinely valuing different people and perspectives! But enough about past experiences! I’ve had equally positive moments during LFW, including some really cool castings over this past week for the LFW shows! It's all very last minute so I'll have to keep you updated as and when I find out if I booked any of them! However, even if I don't I'm happy to sit back and watch, hoping this season provides me with enough inspiration to build my next dream wish-list. Burberry is one I'm most excited for on the final day (22nd September!). Burberry is the epitome of British luxury. It’s such a British staple, and I’m hoping the collection is classically Burberry. It's so important that a brand has such a strong vision that you can instantly recognise each piece, collection, season etc. Simone Rocha is another designer who nails this. She’s known for ultra-feminine colour palettes and luxurious fabrics like silk, and her designs always ooze elegance and sophistication. Drawing in celebrities such as Kylie Jenner and Kelly Rutherford to wear her collections, and I’m eager to see what this next collection brings. Can it top my favourite of hers - S/S24? With its silky pinks and reds, ribbons, and pleating? It was pure beauty. Let’s hope she can outdo herself! Only time will tell, and I will be back in no time, reporting daily with only the best and worst moments over the 5 day extravaganza! Will the designers pull it out of the bag? Can LFW beat NYFW?! We will see... With love, mimi xox

Look 38 Luar SS26 felt like a love letter written just for me, it was sharp, raw, and unforgettable. But in truth, it was addressed to downtown NYC, crafted with meticulous detail, urban polish, and an unapologetic edge. Raul Lopez leaned fully into his signature fusion of streetwear rebellion and elevated tailoring, pushing beyond the safe simplicity dominating much of NYFW this season. While it was a ready-to-wear collection there were of course some looks which were more high- fashion. Including a look featuring just a tiny speedo, some sheer gloves, and a very muscular male model covered in a few splashes of paint - arguably not so ready to wear! (Look 9) The collection was fearless and all the better for it. Let’s get into the show: Colour palette:  Black, Beige, White, Cream , Yellow, Blue, Red Favourite looks:  1, 4, 5, 6, 7, 13, 18, 19, 26, 30, 33, 36, 38, 42, 43 View Full Collection here:   https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/luar/slideshow/collection Luar's world this season was one of contrasts: nightlight glamour meets gritty city realism. There were nods to club culture, subtle punk, and artisanal craft. Feathers, beading, embroidery, hardware - all present, yet never tipping into excess. It was decorative, but still wearable; conceptual, but rooted in real identity. The final two matching looks - shown below, yellow tailored suits, black feathered effect spreading from the yellow patterned fabric. Paired with matching head pieces. What a way to end a show!  ABOVE - LOOKS (in order) 42, 1, 36 Silhouettes walked the line between structure and flow. There were some strong-shouldered jackets met with sheer skirts and bias-cut layers. Texture played a starring role: leather and mesh, raw hems and exposed seams, sheer against opaque. It was all deliberate, every rough edge thoughtfully placed for maximum impact. The palette swung between darkness and light. Deep blacks and metallics grounded the collection, while flashes of neon and vibrancy kept it electric. Accessories and styling elevated everything, the ‘beaded’ effect eye makeup forming butterfly-wing eye illusions (Look 4 - below)  , lips dripping in tiny embellishments (Look 7 - below), and feathers so seamlessly integrated they looked like they grew from the models' skin. The entire thing was magical.  ABOVE - LOOKS (in order) 4, 5, 7 My absolute favourite look of the entire collection has to be Look 38 - shown above! A flawlessly curated look, the model had eyes decorated with 3D Glitter sculptures, feathers shooting out the back of her head, shoes, skirt, and top. The champagne cream tone echoed throughout the three-piece set. Trousers, mini skirts, made of straw and what I think is a sustainable plastic? As well as a picturesque feather strapless bra top. It was ridiculously elegant. My breath was very much taken away.    This wasn’t a collection for the cautious. It was for the risk-takers, the wanderers, the true fashion obsessives. In a muted NYFW, Luar SS26 stood very tall , very alive, and most importantly very confidently defiant in the best way. I am now a big fan of Laur. I'm on board for whatever they have coming in future... bring on London Fashion Week AHHHH!!! With love, Mimi x

Welcome to the second edition of NYFW: Honorary mentions for the SS26 Season, this is for all of the absolutely amazing shows that stunned me, but aren't too worldwide to have their own post to themselves quite yet. There was such a wide base of talent I even had to split the Honorary mentions into 2 parts. So without further ado - here are all the best shows from 14th - 16th September 2025 - in chronological order! Jason Wu - September 14th @5pm Look 7 Jason Wu’s Spring 2026 offering, titled ‘ COLLAGE’ , is a standout among this season’s NYFW shows, it was basically impossible to ignore! Marking the 100th anniversary of Robert Rauschenberg’s birth, Wu pays tribute to the artist’s collage work, not by literal reproductions but by weaving his experimental spirit into every seam. Wu is long known for his elegant take on design and bringing in many celebrity clients. I was anticipating this collection - and now it’s out I know I was right! What makes the collection so compelling is Wu’s clever mashup of classic Americana tailoring and artistic abstraction. There were structured blazers, sharp trousers, and clean shirt silhouettes softened by glossy fabrics and painterly touches - many pieces had a hand done/ hand finished feel to them, which was very purposeful. The collection balances precision with a relaxed elegance, offering unexpected contrasts around every corner, looks that feel modern, wearable, and just a little offbeat in the best way.  There’s a sense of maturity here too - Wu doesn’t surprise for shock’s sake. Instead, he lets the clothes take a natural lead. The palette shifts between stark contrast and soft harmony: chalky whites, muted neutrals, and occasional flashes of richer hues. The cuts are a mix between unwearable and wearable, due to the modern take on deconstructive design. Something that could definitely be worn at both a red‑carpet or a stylish night out.  ABOVE - LOOKS (in order) 5, 37, 38, 10 Some of my favourite looks from the collection feature the unconventional deconstructed design. Look 5 (first above) for example -  A shirt with joint belt skirt attached. Appliqué mimicking a bra slipping off a shoulder, outlined with a solid gold seam. It looks amazing! So original and unapologetically Jason Wu. The use of emerging trend patterns incorporated along the way too - stripes float throughout the 41 look collection.  Look 37 (second above) - An unconventional bridal look perhaps, a mixture of cream and white fabrics cascade down in various shapes, it looks both unfinished and finished all at once. The patchwork pattern of lace and silk adding to the runaway bride idea. It is so creative, so original. I love it! Patchwork runs throughout the collection as well. In strips of fabric sewn together to create one piece of fabric - E.g. Look 10 fourth above. A sustainability method, as well as for aesthetics! Look 7 (shown at the top) for example features a jacket, trouser, and skirt combination. All with a complimentary mix of patchwork appliqué over the top. The jacket in particular, with a variety of rectangles, squares etc sewn on to give a futuristic edge. Whatever the ideology was, I am 100% on board. Bring back patchwork!!! The collection feels quietly revolutionary. It’s also a reminder of why we cling to the slightly smaller scale shows. Jason Wu here crafts garments that act like paintings you can wear, the marks, layers, and mismatched fragments aren’t flaws but the very texture of creativity. Each look crafted to perfection, each tear, unfinished seam etc all done for a purposeful reason! This is the kind of work that lingers for a while, I sure won’t be forgetting it for a long time!  See the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/jason-wu/slideshow/collection Bach Mai - September 14th @7pm Look 22 Bach Mai remains a rising name in New York, blending couture with a downtown, modern sensibility. The 25 look collection, leaned heavily into eveningwear, demonstrating technical skill (draping, tailoring, pattern work) while balancing sophistication and boldness. Bach Mai’s SS26 collection at NYFW blended refined couture techniques with bold tailoring, featuring sheer organza suiting, structured gowns, and playful polka dots. With its fusion of elegance and edge, the collection exuded confidence and modern elegance. Key takeaways from the show were: Organza suits, cropped shorts paired with tailored hacking jackets, evening‐trenches over more delicate pieces. The uproar of polka dots came once more, polka motifs appear in several forms - from lab coat styles to strapless mini‑dresses, to transparent panel work. The collection also played with more classical suiting patterns - plaid dresses, incorporating corsetry into unexpected fabrics and silhouettes. The show feels made for “sophisticated grown‑ups”: those who appreciate refinement, structure, but also a little theatrical flair. It was lively, sophisticated and well done. However, to lean too far into the polka-dot trend is possibly a mistake due to how much has been consumed already, will it still be a large enough trend in Spring/ Summer 2026? See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/bach-mai/slideshow/collection Toteme - September 15th @10am Look 18 Known as a Swedish quiet luxury brand providing refined, elevated basics debuted their Spring/ Summer 2026 collection earlier today (15th September). Focusing largely on adding to their signature minimalism, but with a heightened sense of architectural precision. Introducing new depths of silhouette and materiality, this collection was very much about refined tailoring and easy dressing.  The colour palette remained quietly luxurious - very on theme for Toteme! Think soft neutrals: ivories, stones, tans, blacks, and whites with hints of interspersed richer earth tones occasionally dropped in accessorising pieces. Fabrics included fluid silks, mohair, crisp poplins, and whispers of lace - Look 18 (shown to the right) seamlessly blended poplin, mohair, and silk in Toteme’s modern take on a three-piece suit!  There was a brilliant interplay of structure and softness throughout the collection. Sharply tailored jackets and softly tapered trousers were balanced with flowing gowns, gathered tops, and skirts that moved with subtle grace as the models walked. The silhouettes feel modern yet familiar e.g. wide-leg trousers, asymmetric hems, and layered dresses. For example Look 16 (first left) which featured purposeful layering and perfect wide-leg trousers. Or Look 31 (second left) - A simplistic under-dress and immensely detailed open sleeve lace mini-dress. Two of my favourites from the collection! Tailoring remains the brand’s core strength, showcasing clean lines, precise proportions, and an unwavering commitment to understated silhouettes - there were many trench coats on offer this season. Accessories and styling follow suit: minimal yet intentional, with elevated leather goods, discreet metallic hardware, and shoes that felt almost statementless. What feels new in SS26 is the embedding of movement and tactility - shearling touches or softness that catches light; slits, fluid folds. In this collection Toteme seems to acknowledge the need for elegance that lives, that moves with the body, with real life! More lived simplicity. Overall, Toteme SS26 refined it's identity - less minimalism for the sake of minimalism, more minimalism made purposeful with texture, dimension, and quiet confidence. For those who love subtlety, this is a collection that speaks volumes without saying much at all. See the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/toteme/slideshow/collection Diotima - September 15th @4pm Diotima’s Spring 2026 Ready‑to‑Wear collection, unveiled in their first ever runway debut. The collection felt like a delicate tension between the fully formed and the quietly unfinished, a “soft undoing,” as Rachel Scott describes - founder and creative director. The designs lean into edges with raw hems, knits that fray, and silhouettes that suggest movement with exaggerated shapes, offering a quietly tactile, sensual femininity.  The collection mixed soft pastels, bright pops of colour, and sun-washed prints with deeper, more earthy tones. Texture is key - with mesh crochet features, bouclé yarn, and touchable knits adding depth. Some pieces include delicate details that feel both pretty and slightly raw. Accessories keep the natural vibe going, with raffia, and shapes inspired by nature. At its core, the collection reflects Scott’s Jamaican roots and holds a strong focus on craft, while also embracing imperfection as part of beauty. It’s a quiet push against perfection, resulting in pieces that feel raw, real, and deeply personal - a refreshing take that leaves a lasting impression. I am excited to see what Scott brings as her brand grows & her creative direction at Proenza Schouler evolves. There is no debating this woman is exceptionally talented!   See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/diotima/slideshow/collection Lii - September 16th @3pm -  Look 2 Lii’s Spring 2026 ready‑to‑wear collection by Zane Li felt like a quiet revolution, coming from an up and comer, unassuming at first, but full of detail once you begin to really see. The looks favoured clean lines and thoughtful structure, offset by moments of softness in sheer layering, loose silhouettes, and fabric drape that moves. It’s modern in a minimalist kind of way: tailored trousers, lighter outerwear, lots of layers, and softer pieces mingling with structured pieces without ever making the transitions feel jarring.  The colour story is grounded yet fresh: muted neutrals dominate, so think creams, off-white, greys and tans, with occasional points of contrast - darker tones and pops of bright blues, reds, pinks, and greens. The fabrics leaned toward natural feels: lighter weights, materials that breathe and flow, and textures that feel lived in rather than stiff. Styling kept the mood consistent - low chaos, high intention. Accessories seemed minimal, letting the clothes do the speaking. Interestingly the models had been made to either look ridiculously exhausted, i’m talking eye bags from a mile away. Or their eyes had weirdly been smothered in vaseline to get the look of tears. Weird! Silhouette shifts appear in soft vs. structured balances: cinched waists give way to flowing hems; tailoring is precise but not rigid. The collection teases a sense of ease, something wearable and approachable, yet still rooted in a design sensibility that values form, contrast, and the interplay of fabric and movement. And promising a SS26 full of layering apparently.  Overall, Lii SS26 doesn’t try to shock or shout. It’s less about spectacle and more about nuance: how cut, fabric, and subtle shifts in proportion can create a wardrobe that feels for spring yet built to endure. For anyone seeking pieces that balance utility and elegance, this is a good collection to turn to. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/lii/slideshow/collection Goodbye NYC As NYFW rounds off i'm both sad and happy to see it go. My hands are relieved at the thought of a day off without typing like a lunatic every second of everyday. But my brain is already aching for New York and the faint buzz of fashion icons trapsing around Central Park and whatnot. However... it brings us swiftly onto none other than Mimi's hometown and place of work. London town. LFW is beginning on the 17th September and we've got you covered with all the shows you must watch, and needn't bother - coming to the blog just before the shows unveil! I'll see you there once I've had time to rest my hands. With love, Mimi x

Look 4!!! Tory Burch. Wow. Thank god the all-white opening look didn’t recur at this SS26 show! Fashion has felt substantially vanilla over the past 4 days of NYFW. I actually stopped being as hopeful for NY sometime on the 12th of September. The instinct to simplify and provide contemporary, minimalistic collections is becoming too normalised. We want fashion! Literally I’m starving for some good collections to come my way. Don’t get me wrong, serene understated clothes are of course understandable - particularly in a ready-to-wear collection. But Tory Burch didn’t take this memo, she opted for more colours, thank god, and more quirkiness!  Burch stated she wanted “some joy and optimism in this collection, just based on everything that’s happening in the world.”  So rather than following the current trend toward muted or “vanilla” palettes, the collection embraced colour, unusual details, and playful shapes. Leaning away from pure preppy toward more daring, interesting design elements, without becoming excessively avant‑garde. There’s a lot of pieces you’d notice at first glance, and immediately want to buy. The show has been framed as part of a “creative renaissance” for Burch, as she gave up her CEO role and refocused on design, and investing time into her atelier and craftsmanship. Let’s get into the show: Colour palette:  Brown, Blue, Black, Yellow, Green, Lilac, Pink, Gold, Red  Patterns:  Polka, Stripes - very on trend. Favourite looks:  Look 1, 4, 10 , 14, 16, 18, 26, 29, 35, 39 View Full Collection here:   https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/tory-burch/slideshow/collection The opening look - donned by none other than Loli, upcoming supermodel - not the only supermodel Burch managed to confirm either, Alex Consani & Emily Ratajkowski - shown below. Loli opened the show gracefully, sweeping the runway in a simplistic baby blue cotton shirt. Paired with brown 3/4 length trousers with a faint abstract stripe pattern. Accessory wise they seem to have chosen to do what can only be described as an off-brand Birkin. The outfit is most definitely Ready-to-Wear, but equally looks runway ready with statement earrings, and a beautiful brooch on the right colour. Burch has clearly chosen silver as her hardware choice for the SS26 season, although gold does appear in one look (Look 31) as a very bold shirt choice. Made in a crinkled fabric for a worn in effect - this is also prominent in many of the looks.  ABOVE - LOOKS (in order) 16, 1, 18, 26, 10, 31 As with all of the looks the makeup has been kept refreshingly natural, and the hair was interestingly done in more of an unique comb over look that feels free and allowed for the craftsmanship to really stand out. In Look 4 (above) - Another favourite of mine, with multiple bright blue tones, there is a teal bias cut striped skirt that I am in love with! Paired with a deeper blue blazer (with another beautiful brooch on the right collar) and a really deeply bright vest peeping out over the top. Burch’s attempt to refocus on design is really showing throughout the collection in how cohesive the looks all go together!  One of my favourite looks is the simplistic dressing of Look 10 - shown above. With an open two layered skirt the look uses a warm, rich bright pink shade. The fabric appears lightweight and with slight sheen, perhaps a silk blend or something similarly fluid, allowing soft drape. There's a contrast between structure and flow. The skirt is so perfectly constructed with a fluid, gentle gathering to allow movement, and the waist is superbly defined, with a strategically tied belt accentuating the silhouette of the model.  Look 39!!! Her attempt to add to the craftsmanship at her atelier has 100% paid off, particularly in the more intricate pieces of the collection. For example look 39 (shown to the right) - the final look features hand embroidery, lots of beading, and artisanal detailing (all meticulous tasks) The yellow, and white beading on the sheer black dress works magnificently well , as does its twin earlier in the collection with pink and blue beading.  The collection holds nods to Burch’s own personal history - including inspired patterns from her past, such as her father’s old suit jacket inspiring one of the blazers! This is why the entire collection felt personal, appreciative, and appropriate for the SS26 Season. Burch has reclaimed her creative voice and I have to give her credit, this is one of the most impressive collections from a big name brand I’ve seen all week. I finally have faith from NYFW that fashion is in fact not dead, and will not forever be vanilla.  With love,  Mimi x

Look 27 Stuart Vevers used the SS26 season to reimagine Coach with fresh momentum, leaning into a youthful energy and placing ‘ Generation Now’  at the heart of the collection. This show felt like a celebration of personal style as seen in the streets of New York - how today’s youth remix heritage, symbols, whimsy, and utility into their own personal style.  The 47 look collection draws on references to childhood, performance, and costume. Speaking of childhood, the balloon, star, and heart sheer-panelled dresses (Looks 40, 41, and 44) were playful nods to youthful nostalgia, very charming, but with a grown-up twist. A perfect blend of innocence and edge. The result? A thoughtful mix of wearable art and ready-to-wear. Lightweight fabrics (ideal for spring), expressive motifs, and energising contrasts which teased a world that’s both imagined and lived-in - a dream sequence grounded in real-life dressing. Let’s get into the show: Colour palette:  Black, White, Nude, Grey, Brown, Blue Patterns: Plaid, Stars, Balloons Favourite looks:  Look 1, 14, 15, 22, 27, 29, 33, 35, 41, 47 Questionable Looks:  Look 3, 6, 9, 24, 38, 40, 44 View Full Collection here: https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/coach/slideshow/collection The collection features a good balance between comfort and tailored. While streetwear staples like tees and casual layers were present, they were offset by expertly cut trenches, outerwear, and structured accessories. Even when playful, the silhouettes retained a sense of refinement. ABOVE - LOOKS (in order) 3, 41, 15 That said, some of those streetwear staples veered into the uninspired. Look 3 (above) featured a sleeveless maxi dress emblazoned with "NEW YORK" over a monochrome skyline - not offensive, just flat. Several other place-name prints popped up throughout the collection, and frankly, it felt repetitive and unimaginative. It’s not for me. Other pieces did stand out to me in the collection, for example the accessorising - Bags and charms featured prominently. Somewhat similar to Michael Kors SS26, many of the models were kitted out with leather string necklaces carrying a small purse/ wallet type object. It was very much bohemian inspired and I really enjoyed Coach’s take on it. Hardware and details were used thoughtfully and with intention, not just as finishing touches to looks.  One of the most inspired styling choices? The tie. But not around the neck, instead, pinned to jackets, skirts, trousers. Look 27 (above) exemplified this perfectly and yes, I’ll definitely be stealing the idea. That look also featured another standout piece: Coach’s tri-pattern, tri-colour wide-leg ¾-length trousers, which appeared throughout the collection as full-length versions, jackets, and skirts.  ABOVE - LOOKS (in order) 1, 29, 22 And of course, it wouldn’t be Coach without its classics: statement trenches, colourful tees, and the iconic Tabby bag. This season, the trenches were reimagined with distressed details, imperfect closures, and lived-in character (see Look 1 - above). They felt rebellious, fresh, and very alive. I loved them! The collection gives a palpable sense of a “new day” Not just optimism, but a redefinition of what Coach stands for when observed through the lens of the young, streetwise, socially conscious. This season feels more alive, more immediate. For Vevers, Coach is being reinvented - rooted in what the brand has always done, but more aware of how today’s generation wants to dress, move, and express. With love,  Mimi x

Last night at The Shed - a vast, looming structure in New York’s Hudson Yards, Khaite presented a show titled “Edge in Bloom”,  that felt more like a cinematic experience than a typical runway. Fog crept across an all-black pond as models navigated a series of diagonal catwalks.  The atmosphere was eerie, surreal, and unmistakably intentional. “The dark underbelly of America has always fascinated me,” confessed founder and creative director Catherine Holstein - and it was clear she was channeling that obsession throughout her Spr ing/Summer 2026 collection. The show opened with a quiet disruption: jackets cut up the side and slightly twisted to introduce deliberate imperfection, paired with jeans for a dose of normalcy. It was as if each piece had been deliberately disturbed, refusing to conform neatly to the expected. At the heart of the runway were the brand’s signatures, elongated leather fisherman jackets and urban double-breasted blazers, more tailoring to add to the overwhelming amount already consumed at NYFW - this is where I got a bit bored. However, Holstein infused the collection with a softened edge which I personally adored the most. The innocence of chiffon blouses embroidered with hand-sewn fabric petals whispered of naivety. “We kept coming back to that idea,” she said, echoing a maternal tenderness not often seen in her sharper silhouettes. This collection worked really well, although it was occasionally disjointed, it was unmistakably Khaite. The brand's DNA pulsed through every look, defining a new era of contemporary New York style, more confident, and quietly complex. It’s a wardrobe for stylish, busy women navigating the urban jungle, to give them a sense of individualism. Look 45 Nowhere was that more evident than in the subtle polka dot trend making its way across the Spring 2026 scene, it has appeared a remarkable amount of times in a myriad of collections. However Khaite did it differently… Kendall Jenner (Look 45), arriving penultimately, wore a taupe circle skirt covered in oversized cream polka dots. A chunky black sweater slouched off one shoulder, while leather toe-ring sandals wrapped around her ankles with satin ribbons. It added some newness to an oversaturated microtrend.   See full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/khaite/slideshow/collection In the end, Khaite’s Spring 2025 wasn’t 100% but it showed the brand as evolving! A beautiful interplay of soft and strong, of control and chaos. Subtly shifting the brand’s narrative without abandoning its core, this collection hopefully marks a thoughtful, enigmatic step forward. With love,  Mimi x

Look 26 Ulla Johnson, born and raised in Manhattan, returned to NYFW this morning to bring her SS26 Ready-to-Wear collection to life. The 56-look collection was filled with unique, unbelievable colourways and sophisticated silhouettes. Johnson,still the creative director herself, always portrays a bohemian-chic universe, and this collection didn’t underdeliver! The collection featured floor-length gowns dripping with colour and uniquely shaped structures. One beige maxi dress (look 25 - below) stood out with gathered, floaty sleeves and a ruched bodice that accentuated the model’s silhouette with exaggerated proportions. Unlike many of the collections shown throughout the week, this one featured more colour than neutrals! A true rarity in today’s demographic. It was refreshing to see a collection embrace such vibrancy. Yes, there were a few tailored neutrals too (however most of them had a streak of gold in them!) A perfectly cut trench coat (Look 21) in a classic nude shade appeared midway through the runway, styled with a very bright lemon clutch, ballerina lace-up kitten heels, a rose-coloured unitard, and a feathered neckpiece. Truly original to Ulla Johnson. Among the collection, the coloured looks followed two different pathways. A darker palette introduced a 9-look sub-collection of royal blue, pink, and orange. This colourway seamlessly transitioned from earlier orange-toned pieces into the final looks of the show. The colour work was deeply impressive - each hue blending into the next with a mesmerising, cohesive effect. ABOVE - LOOKS (in order) 56 , 25, 52 Within this sub-collection, ruffles were in abundance, a personal favourite technique of mine! They were sewn with exposed seams, adding an intentional element of imperfection. Ruching was another lovely touch, especially on Look 52 (above). The dress appeared to be hand-dyed - a risky move for such a major collection, but one that absolutely paid off. Another sub-collection featured earthy tones with an even broader colour selection. Bright lime, orange, rust, fuchsia, lilac, red, burgundy, brown, forest green - all featured in sheer, lightweight fabrics perfect for spring. These colours appeared in trenches, dresses, scarves, belts, trousers, skirts, and even everyday basics like long-sleeve tops. Look 24 (below) and Look 26 (above) were personal favourites - they brought a vibrancy and energy to the runway that so many designers forget to include. The collection practically screamed spring/summer and had a little something for everyone. Of course, there were also more natural shades and neutrals - one standout being Look 10: a simple, floaty pale blue dress. Bohemian chic reimagined into a soft silhouette with lace detailing at the bust and trim. ABOVE - LOOKS (in order) 24, 22, 10 There was even a jeans-and-knit-top moment (Look 22 - above) - a bohemian lace knit paired with chunky gold jewellery and a leather satchel. And the shoes! The footwear in this collection was brilliant. Open-knit ballet flats (an ode, I feel, to the rise of the beach shoe) and heels with cushioned exteriors and velour ribbons tied around the ankle, a delicate, elegant touch to add to the slightly more understated looks. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/ulla-johnson/slideshow/collection This collection truly sparked something in me. As someone majorly obsessed with neutrals, I now have a new appreciation for a more expansive colour palette - which is no easy feat! With 56 stunning looks, each original in its own way, some with feathers, some with ruffles, some with ruching, some with jaw-dropping colour-ways - Ulla Johnson has delivered a masterclass in bohemian sophistication. With love, Mimi x

Welcome to NYFW - Honorary Mentions. Those that didn't make the cut to get their own post but were still worth documenting! We are mid-way through NYFW today, but can't make you wait any longer for these Runway Reviews! Some from emerging designers, some from debuting creatives with lots of experience, some even from prestigious f ashion houses - they are in here for the wrong reasons. So without further ado - in chronological order below are the honorary shows from the 11th - 13th September at New York Fashion Week... L’Enchanteur (CFDA Grant Winner) - 11th September @4pm  L’Enchanteur held their show yesterday (11th September) at NYFW. The show marked the brand's runway debut for this season, featuring designs with symbolic elements like keys and faces, characteristic of the brand's jewelry and garment offerings. The brand is run by sisters Soull and Dynasty Ogun, who previously won the CFDA / Vogue Fashion Fund back in 2024, and so had a lot to live up to! Specialising in metalwork, jewelry, textiles, fibers, and accessories. Which are all prominent in this collection.  The collection centred around a theme of “shifting dynamics, frequencies, and consciousness”, which definitely comes across in this show. The collection had a variety of fabrics, some that could be comparable to a bin-bag. As well as others using recycled materials. The colourway of the collection was bright and there was a strong sense of textile work. With hand drawn prints etc…  Some of the looks featured facemasks, bright contacts, and almost all of the models had their toes out! Not sure what the thought process was behind that. However they are known for their mystical, futuristic flair and this show definitely maintained this energy. Overall the collection was a bit 50/50 for me, some of it was coming off far too experimental for my liking, and some pieces that were really lovely. See the entire collection here: https://uk.fashionnetwork.com/galeries/photos/L-Enchanteur,72729.html Collina Strada - 11th September @6pm  A distinctly unique and beautiful show took place on the 11th September in New York. Collina Strada merged everyday pieces with styles fit for the runway. With a total of 45 looks, there were duo models strutting side by side down the open runway - beautiful location with the brooklyn bridge in the background, along with a NYC skyline!  Each model you could tell was hand selected as every look suited them perfectly, with a large age range and an array of diversity on display. The models walked in duos in opposing colourways. Identical looks in dark shades and lighter shades side by side, this dynamic worked very well with the colour contrast side by side!  Included in this display was a white bridal look, paired next to an almost identical black bridal look. The colour palette was VERY strong, with a large amount of Black to juxtapose the lighter shades of whites, creams, pink, and green. Patterns which showed up were a variation of plaids as well as taking me back to 2016 with some tie-dye!!!  A standout feature of the collection was the hair! They had somehow constructed a baseball cap out of hair on many of the models. Something I can say I haven’t seen before - which is rare now as fashion has evolved so much! The accessorising was very strong, with selected jewels hanging from skirts and trousers. Love this collection and the creative minds who put the ideas together!   See the full collection here: https://www.showstudio.com/collections/spring--summer-2026/collina-strada-ss-26 Maria McManus - 12th September @ 9am  With 22 total looks within the collection this minimalist, sustainability-driven designer really put together a cohesive and refined show. With a lot of designers going for sometimes quantity over quality, McManus went for quality and gave 21 high quality and sustainability driven pieces.  She provided us with simplistic cuts, tailoring, and a refined colour palette of White, Black, Beige and hints of blue, pink, red, and khaki. Once again the tomato hue of red got a prominent feature. Making it 100% a colour to watch for in the coming seasons…  In particular I am a fan of Look 6 & 7 with Look 6 featuring a 3D Pom Pom effect crochet dress, floating tassels towards the bottom and a matching coloured shirt tied strategically over one shoulder. Everything looks very purposeful, look 7 also features this purposeful tone with a beautifully cut cream dress paired with a tomato red bag (which i love!) , as well as brown beaded necklace and statement shoes.  While simplistic in some areas the entire show was very well put together and as an emerging designer with a firm focus on sustainability Maria McManus is definitely one to watch because she knows her niche and does it well!  See the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/maria-mcmanus Calvin Klein - 12th September @ 12pm  Oh my god. That was so disappointing. With Calvin Klein now under the creative direction of Veronica Leoni, her sophomore collection had fashion lovers excited, hopeful even, that a fresh vision was on the horizon. But boy, were we wrong.  Instead of a bold new chapter, we got a collection that felt flat, recycled, and depressingly forgettable. And let’s be honest — being called “forgettable” is the last thing you want in a debut collection. Think: plain white mini dresses. Simplistic-cut midi dresses. More of the same monochromatic, minimalist looks we’ve seen trotted down the runway a million times before. I was planning to write a full post on the Calvin Klein show, but frankly, it had to be downgraded after witnessing the painfully average display of talent. There was one  look that caught my attention — a uniquely cut black and copper satin shirt with exposed skin and a bold silhouette. I’ll admit, it was cool. But sadly, it didn’t match anything else in the collection. Then came the fringed dresses in brown and pink — clearly referencing the '60s but also giving strong Cookie Monster energy. Was it a Muppet? Who knows. And don’t even get me started on look 12 . The poor model was dressed in what can only be described as a nappy made from a curtain. It was genuinely shocking. And a lot of the looks shared the same simplistic bandana headband which was a pitiful attempt to add some accessory to the looks.  Overall, I’m unimpressed, as you can probably tell. The trench coats and blazers were fine, but they weren’t anything we haven’t already seen 20 times this season. We need more. More creativity. More risk. More vision. Because right now? This just isn’t cutting it. See the entire collection here - https://www.vogue.com/fashion-shows/spring-2025-ready-to-wear/calvin-klein-collection/slideshow/collection Alice + Olivia - 13th September @3pm Look 33 July 4, 2026 will mark America’s 250th birthday, and Stacey Bendet - Creative Director and Founder of Alice + Olivia wanted their Spring 2026 collection to meet the moment. Bendet decided to host her presentation at the Surrogate’s Court in downtown Manhattan. Stars, stripes, lace, and an abundance of garden-party florals took centre stage. This season’s collection paid homage to many different contrasting themes including: the timeless beauty of florals, all things stripes, Patriotism, delicate beadwork & pastels. Presented not on a traditional runway, but rather as a presentation within a grand hall complete with a sweeping balcony and a towering American flag, the setup allowed each look to command attention. Models stood in tableau, transforming the space into a living lookbook of each theme whether it be florals, pastels, embellished opulence, patriarchy, or stripes!  We were met with different scenes of each theme, dividing the collection into snippets of the brands ideology. One that stood out to me was the romantic elegance: a parade of gowns and separates adorned with delicate beadwork, intricate embroidery, and layers upon layers of 3D florals. Pastels reigned supreme, and there was a softness to the tailoring. A standout piece was a lilac gown with cascading floral appliqué down the bodice and skirt which was a clear favourite. Other highlights included meticulously beaded jackets, feminine lace details, and whimsical tulle. In stark contrast, another half of the collection leaned heavily into American iconography. There was a tailored red suit, dresses splashed with prints featuring stars, stripes, cowboys, horses, and even dirt. While the colour palette felt cohesive, this patriotic portion of the collection felt slightly off base in comparison to the other scenes presented - at least for me personally. However, one dress made a memorable attempt to bridge the worlds. Bendet’s interpretation of Lady Liberty: a model standing on the balcony wearing a rhinestone-encrusted iteration of the statue’s diadem and dressed in a billowing white floral dress that draped over the entryway. A clever and theatrical (which I always appreciate) attempt to merge the two opposing sections. Love it or leave it, the collection was certainly bold - half chic, half patriotic, and fully Alice + Olivia, they always manage to go above and beyond, creating about 6 separate collections and merging them into one presentation that tells the observer a story.  See the full collection here – https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/alice-olivia/slideshow/collection See a video of the collection here - https://www.instagram.com/reel/DOjhrGaj4uw/?igsh=MXJycjk2OGdlNzgw We've still got plently to come! With another 3 days of shows heading our way. I'm sure you will be on the edge of your seats waiting for the next set of Honorable mentions. Until then read our influx of articles coming onto the blog every day of FW! See you in the next one! With love, Mimi x

Look 33 Altuzarra wasn’t even on my radar until today. What a collection! They have definitely been added to my radar now. Altuzarra has always been and will remain a luxury women’s ready‑to‑wear house, with strong attention to craftsmanship, feminine silhouettes, with a strong tone of sensuality + modern edge.  Joseph Altuzarra’s design aesthetic is still firmly about blending elegance and a certain boldness. One I truly appreciate. This collection is hands down one of the best I've seen so far at NYFW. With elegant gowns, more refined tailoring, but done in such a way it still felt original.  Many of the looks were dresses, featuring impressive textile applique. Lots of floral applique which added so much sophistication and a level of luxury few top - end designers manage to master. As a designer myself I was really amazed at the talent in the prints, as well as the appliqués added to many of the looks.  The models all looked refreshingly natural with very minimal makeup having been done, and the hair as well matched this natural effort. Allowing the models to wear the clothes and not let the clothes wear the models.  One of the most impressive is Look 33 (above), which featured a silky cream base gown, adorned with lots of florals dripping down in such a purposeful and delicate manner. It was stunning! ABOVE - LOOKS (in order) 28 ,21, 41 They also had bird applique (second above) - adding to the theme of nature and very much providing Spring/ Summer energy. The bird feature was added to a few looks, around the neck of the model - adding the illusion of a bird wrapping itself around the model. I loved this piece, such innovation. It's becoming rarer and rarer in the fashion industry to see something new nowadays - but I really felt like this was new and exciting! So many of the other looks caught my eye, such as the opening look with structured tailoring, paired with a very on trend hat. As well as the closing look which could be used as a wedding dress with the delicate beading and floaty silhouette (see third above). It was truly magical. See the entire collection below -  https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/altuzarra/slideshow/collection Overall the collection quite literally took my breath away. As a designer myself, appliqué is one of my favourtie techniques so to see it displayed on such a magnified scale and in such a way that accentuates and appreciates femininity. I am in awe of this entire collection and the stupidly talented minds that brought it to life. With love, Mimi x

Look 12 Anna Sui Spring/Summer 2026 Ready-to-Wear  Anna Sui’s Spring 2026 Ready‑to‑Wear collection took me by surprise, having not even selected this show as one to watch! However I have now been fully captivated, and won over by this collection. Think wallpaper florals, vintage lace, and enough prairie-chic nostalgia to transport you straight to a whimsical countryside tea party, with a twist of 1970s bohemia thrown in for good measure.  Anna Sui’s Spring/Summer 2026 collection was a dreamy ode to romantic dressing, wrapped up in soft pastels, ruffled edges, and textures galore.The mood was very feminine, and richly ornamented, providing us with flowing silhouettes, delicate embroideries, and prints so evocative they feel like antique wallpapers or oil paintings.  Each look felt like it had stepped out of a daydream, with everything from bohemian sheer layering to delicate pleating. The collection struck a beautiful balance between undone elegance and rich craft. No piece felt overstyled, yet every detail was intentional. ABOVE - LOOKS (in order) 28 , 26, 7 The looks all shared a clear tone: soft, floaty, and free silhouettes drenched in floral prints. The collection leaned into texture and romance, with a subtle shift towards deeper tones and hints of dark lace here and there to add contrast without losing any softness.  Look 12 has to be one of my favourites, it is a blue bohemian dream! Silky floaty trousers, printed with a stunning contrast yellow floral arrangement at the ankles. A crochet cover up that so delicately transitioned between blue shades. It was pure fantasy, so intricate, with a billowing silhouette. It was light, layered, and laced with nostalgia. Of the 35 look collection, I was amazed by every one! Each look supplying vintage, reimagined ways of design! Anna Sui has nailed bohemian dressing. Think vintage bed-jackets reimagined, lace trim, and sweet 3D florals adding dimension, without being overwhelming. View the entire collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/anna-sui/slideshow/collection Some looks provided bolder statements, others more rooted in a soft aesthetic. But it was all part of a theatrical romantic collection that was 100% Anna Sui. Layers of pleats, embroidery, tulle and florals all merged into one glorious collection of texture and movement. The whole thing felt like a love letter to bygone eras,  sweet, strange, and unapologetically romantic. The collection made me want to press flowers, read more books, and add more whimsy to my life! Make fashion fun again! And that she did. With love, Mimi x