Look 23 Now this was a Ready-to-Wear collection!!! Colourful, intriguing, bold, and unapologetically Fendi - the SS26 collection delivered 84 looks, each with its own distinct presence. And while I didn’t love every single one (I mean, how could you with 84?!), I was surprised by just how many I liked… and a few I outright adored. Even the filler pieces, there had to be some with such an expansive collection, were better than the standout looks in other shows this week. That’s saying something. Florals were given new life through clever cutouts: both lace-based and laser-cut flowers blooming from jackets, dresses, blazers, and coats. A standout example? Look 47, a yellow matching set crafted from sheer fabric, delicately outlined with intricate white floral cutouts. It felt precious, wearable, and entirely fresh. The range of textures and patterns added layers of visual interest throughout the show: sequins, sharp tailoring, bold colour moments (essentially a full rainbow!), and a clear admiration for craftsmanship. Yet, the palette was distributed so seamlessly across the 84 looks that it never once felt overwhelming. You could breathe, see the colours and even were left a bit surprised. My ultimate favourite? Look 23 (above). A woven-effect coat constructed from synthetic fur, bursting with a weave of colours - brown, red, pink, blue, yellow, navy, beige, all intertwined and woven between each other. Under, Over, Under, Over! This was paired with a matching oversized tote made of thick ribbons in the same palette. It was a visual feast, striking from afar, yet undoubtedly cosy and tactile up close. It looked like wearable joy, I can just imagine how warm that coat is!  Silvia didn’t shy away from surprise details either. The opening look, for example, featured a chocolate-brown shirt underneath a silky blazer-and-skirt duo with exposed button-lining detail stitched on the outside of the skirt! Not where it was meant to be inside! Blue asymmetrical heels grounded the look, along with an abstract multi-colour bag that pulled it all together. Deconstruction and weaving also made an appearance, as in Look 32, where a knit top appeared to be coming undone - but was in fact a perfectly constructed illusion. ABOVE - LOOKS (in order) 47, 32, 2 Fendi also dipped into the season’s growing polka dot obsession, giving it her own spin with raised black dots layered atop flat white printed ones - a textured twist on the classic motif. Trends were acknowledged, but always with a Fendi fingerprint. The runway itself was a visual extension of the collection: colour-blocked stairs in red, green, and pink leading to warm beige walls and a matching tricolour path. It set the tone for a show full of personality and poise - the runway was fit for supermodels, and of course it brought these too! Alex Consani and Amelia Gray were among the supermodels to strut this catwalk. Only the best for Fendi.  Tailoring was, of course, present and precise, offered in both restrained brown hues and more experimental blue tones, and even reds. Amid the sharper silhouettes were of course softer, flowing dresses like Look 7: a ruffled, pleated number with a cinched waist and a bold tomato-red strap, paired with a vibrant yellow statement bag. Fendi really didn’t hold back when it came to accessories this season and it helped the collection feel complete. Look 29 Speaking of tomato red - which I told you was coming, it exploded in Look 29 (left), which featured a fully monochromatic ensemble from head to toe. Jacket, shirt, trousers, shoes, rimmed glasses, and even a tiny wrist-hung handbag all in rich cherry tomato red. It was bold, it was delicious, and it was exactly what this season needed. Although the colours varied widely, we saw a consistent return to vivid blues, energetic reds, and sunny yellows, sometimes used as accents, other times in full, uninterrupted monochrome. It showcased just how versatile this collection was providing a look for literally everyone, catering to the masses while also being exclusively luxury. Now that’s an accomplishment!   Frédéric Sanchez, who worked on the show’s soundtrack, described it as a “psychedelic promenade”  and I think he nailed it. It was a sensory experience, full of movement, texture, rhythm and surprise.  About the Collection, Silvia Fendi herself said: “I like not to give a definition in words to the collection, because it’s made of so many different thoughts.” And that’s exactly what it felt like - a fluid tapestry of perspectives, textures, and moods. This didn’t create a singular vision, but many. And I think that’s the power of a collection like this: there’s no right or wrong interpretation. Just feeling. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/fendi#review With love, Mimi x

Um how are we already on day 3 (almost day 4) of Milan Fashion Week?!?! This is going by ridiculously fast. Today provided me with lots of hope, then fear, then hope again for the fashion industry. Starting off not so strong with Jil Sander by Simone Bellotti, in his Creative Director Debut... Jil Sander (Simone Bellotti)  - September 24 @10:30am  A fresh artistic direction for the minimalist house. Jil Sander is known for their modern minimalism and quiet luxury. Which we definitely got following today's display. I wrote yesterday in my notes, “Jil Sander - Predicting Boring.”  I must have superpowers because it was, indeed, boring. Appointed as Creative Director in March, this SS26 collection marked Simone Bellotti’s debut. You’d think he’d come in bold - but no. Instead, we got 61 looks that felt like quantity over quality. It was average, not eye-catching, and honestly quite shocking for a debut. Boring, basic, and very safe. Then again, in this economy, I can’t even blame him. He probably wants the buyers on board before showing us anything too creative. Maybe next season? There were a few highlights - Look 49 - below (my one and only favourite) for example, a boxy white dress (with pockets!) with strict and beautiful tailoring to create a very clean silhouette. I also liked the trio of Looks 34, 35, and 36: a pink mini, a blue skirt, and a white cap sleeve dress all made in a textured, feathery fabric that actually caught my eye. A rare moment of interest in an otherwise underwhelming display. The show even ended on a weak note, with more of the same cheap-looking materials. Is this Zara or Jil Sander? You can’t charge £2,500 for a coat that looks like it’s made from a bin bag. Combine that with a lineup of pale, lifeless-looking models, and the whole thing just felt a bit off. Look 49 Visually, it leaned into familiar Jil Sander codes: structured yet airy silhouettes, hidden slits, subtle cut-outs, and a very restrained colour palette. Although Royal blue and tomato red made a few bold appearances, alongside orange and pink. There was even a rogue purple leather look (19) that felt completely out of place. Lots of leathers, nylons, and mesh, in the form of tailored coats, blazers and even t-shirts. There was also lots of clean, simplistic layering between all of the colours on display, it was simplistic but quite elegant - A long red knit jumper with a cropped navy jumper on top - above (24)  - I can appreciate and get behind this idea! Overall there was just very minimal experimentation. Look 44 - a grey mini dress with a cut-out chest and matching bralette, tried something, but even that felt muted. It was tame. Predictable. And frankly, dull. But maybe that’s the point? Bellotti might’ve nailed the Jil Sander brief: minimal, controlled, disciplined - and entirely safe. It wasn’t horrible that's for sure, there were even a few pieces I stopped to appreciate while scouting the collection. It just wasn’t what I expected from a debut Creative collection. Average and definitely not news worthy.  See the full collection here - https://www.tag-walk.com/en/collection/woman/jil-sander/spring-summer-2026?city=milan Missoni - September 24 @4pm  Look 14 Missoni’s SS26 collection delivered 36 unapologetically bold looks that were, in every way, definitively  Missoni. Think sparkles, sequins, signature swirl patterns,  all infused with a distinctly playful energy. I saw a TikTok this morning that was claiming “funky chic”  as the new vibe of the year, and although this is a Spring/Summer '26 collection, it fully embraced that ethos - and I am 100% on board. The silhouettes celebrated the female form beautifully, every single model's legs were on full display, bold linears, French-style hats, and chunky, eye-catching accessories. Think oversized pendants, dangling chains, and statement shoes in vibrant pops of colour. One of my standout looks was Look 14 (right): a long, vertically striped shirt with puffed sleeves, shimmering in pastel blue, yellow and purple sequins. It danced between beach cover-up and dinner outfit , that magic balance of casual glamour Missoni does so well. Styled with bikini-style bottoms peeking out in coordinating blue, black and white stripes, the look was completed with a chunky gold chain necklace, matching bracelet, and two  bags: a sparkly striped tote (complete with a perfectly rolled towel in classic Missoni zigzag) and a smaller leather evening bag perched on top. It was playful, practical, and purposeful - offering so many avenues of real styling ideas for fashion buyers. That duality was consistent throughout: day-to-night, beach-to-bar. Every piece had a purpose. Each model who carried a bag carried two! One for the beach, one for the club. It painted the picture of a chic, busy woman doing it all. Beachclub-ready, towel in one hand, purse in the other. I adored it. The show fully leaned into Missoni’s DNA, from the riot of stripes (horizontal, vertical, zigzag, swirled, beaded, sequinned) to the cohesive seasonal styling. Finally, a runway where everyone looked like they were dressing for the same climate! The looks oozed spring-summer energy -  effortless but intentional, relaxed yet elevated. There wasn’t a single outfit I wouldn’t want packed in my suitcase for a European holiday. This was Missoni at its best: vibrant, confident, and fun. The stripes were doing the absolute most and I loved every second. Funky chic is here to stay, and Missoni just gave us the ultimate wardrobe to prove it. See the full collection here - https://www.tag-walk.com/en/collection/woman/missoni/spring-summer-2026?city=milan KNWLS  – September 24 @8pm  Look 20 KNWLS -  the design duo Charlotte Knowles and Alexandre Arsenault, have delivered once again, bringing their irreverent aesthetic from London to Milan this SS26 season. Their debut at Milan Fashion Week (their first show there) was a 37‑look collection that felt eclectic, daring, and totally in tune with who they are.  Nike made its presence known this season by collaborating directly with KNWLS, all the shoes were Nike, as well as many ticks that could be spotted throughout the collection! They slipped into the KNWLS narrative as underlays and accents. In Look 2 (below), a washed‑grey bodysuit layered beneath a custom dark green Nike tee paired seamlessly with a texture-rich utility corset, dropped waist and accentuated hips. Leggings throughout the show whispered the KNWLS DNA, but a Nike tick peeked at waistbands and matching sports bras, giving a clever fusion of sport and statement. My absolute favourite was Look 20 - above. Pale green leggings with cut-out details and flared ankles (yes, Nike ticks included) paired with a matching bra top. Over that: a neutral brown and beige jacket-and-skirt combo with ruched sleeves and a cinched waist. It felt like pilates-to-coffee dressing perfected. The mint and beige tones mixed in an unexpected but flattering way. If this wasn’t 100% going to cost thousands, I’d be trying to buy it now. Then there’s Look 23 (below) - a pale icy blue leather set with silver grommets at the ankles and rust-orange linear tracings down the trousers. The cropped corset is sculpted and bold, evoking a luxury‑yoga suit that’s sexy and precise. Edge came also via tailoring: Look 10 (right), a cropped black trench with a high collar and dramatic winged shoulders, was STUNNING. The silhouette felt iconic. They also delivered it in beige, but the black? Irresistible and chic.  Colour and pattern evolved across the collection: starting with neutrals and slipping into icy blue tones, soft pinks, and mint green accents. As well as a remarkable amount of plaid. Shapes were used in clever and playful ways: boxy cuts, robotic-like creations, balloon arms (Look 5 - right) some pieces were sculptural, others alien in form. The tailoring is bespoke, the imagery bold, the mood undeniably KNWLS. They struck that balance: sensuality + structure + exposed detail, while never losing precision. This show was exactly the vibe I wanted and expected, it was confident, cohesive, and extravagant. And of course, I’m already wanting at least half of it. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/charlotte-knowles#review What's to come - And just like that, Day 3 came and went. From Jil Sander’s beige-on-beige debut to Missoni’s sparkly beach bar fantasy and KNWLS’ Nike-infused badassery, it was a day of contrasts, confusion, and serious coveting. I'm both dreading and eagerly anticipating tomorrow! A day with so many show I'm going to have to ice my hands after from writing so much! From Max Mara, Boss, Prada, Emporio Armani, Moschino, and finishing it all off with Roberto Cavalli! Bring on Day 4. With love, Mimi x

Alex Consani as "La Bomba" Demna Gvasalia’s debut for Gucci is one of the most anticipated creative transitions of the season. And with a surprise drop of the look book for the collection coming out Monday, just 36 hours before the scheduled show time - Demna already had the entire fashion industry in a chokehold without even having to put on a show! I was eagerly anticipating Demna's take on Gucci, after such a brilliant decade leading Balenciaga. He set himself apart immediately with the gorgeous digital look book titled “ La Famiglia” , which translates to, you guessed it! “The Family.” It displayed 37 unique modern-day icons, from “It girl” to “La Star,” and rebranded all Gucci socials in the meantime. Each plaque was dedicated to a separate, unique model, which was again genius, including some supermodels, such as Lila Moss and Alex Consani. Some of the looks seemed to be direct nods to Tom Ford’s Gucci from the '90s, such as Lila Moss’ look (below) “Ragazza,” which featured a knee-high black boot similar to Gucci by Tom Ford AW 1998 . There was also a very nude look called “Ragazzo” - purely a black speedo-style pant on a rather muscular male model, directly mirroring Gucci by Tom Ford SS 1998 . Well done, Demna! Consani’s look (above) - labelled “La Bomba” (The Bomb) was an accurate description for such an iconic model. Her look has to be one of my favourites. Classic black stiletto with a gold heel, a tiger-print fur coat sweeping just to mini-skirt level, belted with a GG - gold chain at the hips, paired with a simplistic black baguette bag adorned with the classic green and red Gucci stripe. A lethal face card and dangling GG earrings also complimented the killer look. Captured by the incredible photographer Catherine Opie. She wore this same look in the short - film (shown above right) All the look book imagery was further elevated in individual frames for each look. This way of displaying a collection stands out so much more than a classic catwalk (Demna’s first debut runway for Gucci will be for AW26 in February) Which you can tell by how much talk it’s getting! Demna is bringing Gucci back from the dead, I was never impressed by Gucci over the past few decades, and that changes now. Demna says about his new vision, “It’s the mindset, it’s the Gucciness of Gucci”  ABOVE - Flora & Primadonna were both shown in the short - film The looks were bold, the direction was bolder. Each character represented a different vibe, era, and movement. The diversity in both style and personality was so on point. And although the actual designs weren’t otherworldly or ridiculously unique - this didn’t matter. The display and way of presenting each look made them relatable to the everyday person. 37 looks for 37 occasions! You can see the look being used for a different vibe because they literally tell you what vibe it is for! Each look felt uniquely Gucci and inherently familiar to the brand.  Invitation to the premier of "The Tiger" But it doesn’t stop there! The look book was accompanied by a live event to present the short film. The invitations for said event went beyond the task and featured new packaging for Gucci - out with the olive green box, and in with a sleek black one, looking very chic. Inside was an authentic Gucci crest from the 20th century, accompanied by a certificate of authenticity guaranteeing the legitimacy of said house crest! The film itself, labelled “ The Tiger” , created by Spike Jonze and Halina Reijn, debuted live at Milan Fashion Week last night. Featuring Demi Moore, Kiki Palmer, Kendall Jenner, Alex Consani, Edward Norton, Elliot Page, and Ed Harris, to name only a few. The event was attended by the models from the Gucci look book. As well as the stars of the short film, and other influential fashion figures - all of whom were wearing Demna’s new collection! The 35 minute short film is exactly what Gucci needs right now, it’s a total rebrand. Demna’s version of Gucci is both unique but also honours past eras for the fashion house, leaning into Tom Ford, Alessandro and even Frida! The short film had brilliant acting, great looks (ofc), made me laugh, squint and gave me some amazing quotes I will be adding to my day-to-day language. The framing, attitude, models gestures and the entire concept of the piece was reflective of the look book. Everything tied in masterfully, It was distinctly dystopian and thriller-esque as Demi Moore’s character slowly loses her mind.   The film is now streaming on all Gucci channels. Watch at link below! Below is a brief synopsis of the 35 minute short - or you can watch above! The Tiger takes a bold, dystopian turn, centring on Demi Moore as Barbara Gucci - Head of Gucci International, Chairman of California, and matriarch of a chaotic, high-functioning fashion dynasty. The plot follows Barbara as she gathers her eclectic children and a special guest (a journalist shadowing her every move) at the family home to celebrate her birthday. Beneath the sleek façade, she’s grappling with too much: maintaining Gucci’s legacy, managing public perception, and holding her family, and herself, together. The film opens with Barbara slipping into a surreal, lucid dream at her desk, screaming in a golden gown - an eerie prelude to the chaos that follows. She’s escorted to a lush garden, where models (including Alex Consani and Kendall Jenner) pose silently, awaiting her approval. Then we dive into the heart of the home, where a formal family dinner takes a turn: Barbara’s daughter accidentally spikes the wine with a mysterious serum, triggering a kaleidoscope of madness. One son hallucinates, another gives a wild, drug-fuelled speech. As things spiral, Barbara and the reporter retreat for a tense, philosophical exchange about how they perceive one another - during which she changes into multiple, jaw-dropping looks from the Gucci SS26 collection. Then her alien-obsessed son delivers the film’s core question: “What do you do if you're in a room with a tiger?” To which he later answers, “You love the tiger. And then the tiger will have that in it.” Moments later, the reporter freaks out, makes a passive-aggressive jab about Barbara’s leadership, and storms out. Barbara breaks. She screams. The birthday cake explodes. And the film crescendos into a symbolic burst of chaos. It ends with a haunting tableau of Barbara and her children, fractured but together - as she repeats the question that’s haunted her throughout: “How do you see me?” Towards her daughter. And in true Demna fashion, a post-credits scene shows her son seemingly abducted by a UFO. Every minute detail of this entire debut collection for Demna has been meticulously thought through and it shows. It is breathtaking and overwhelmingly genius. Demna is bringing so much more than design and creation. He has a vision for Gucci, and I am so filled with hope for it! This is fashion. This is art. This is cinema. With love,  Mimi x

Diesel. The iconic brand known for their wild shows and performative energy became the opening act for Milan Fashion Week this season, and it was the perfect pick! Diesel always sets a mischievous and unique tone to follow for the week and they have really set themselves apart from the crowd this year! They brought fashion to the public, it was the perfect opener to what is set to be an iconic MFW!  ICONIC! VERY DYSTOPIAN (image from Diesel instagram) This year Diesel have gone down an experimental and unique route to display their SS26 Collection. The idea was advertised through their instagram just a week ago. The Diesel Egg Hunt! Members of the public could “Register. Hunt. Win prizes.” as worded via their instagram. The Diesel SS26 Runway Collection features 55 full looks inside transparent, egg-shaped vessels. Meaning 55 models are trapped in eggs for the entire day - what a cool day at work! Diesel had a base camp set up, available to all who signed up for the hunt, at Piazza Beccaria, where live music, free drinks and entertainment was provided all day long. The Runway Show hit the streets of Milan - literally - in a city-wide Egg Hunt. Over 3000 “hunters” who had previously signed up via their exclusive link, roamed the streets of Milan from 7:30-11pm CET to find these looks and if they scanned the QR code on that egg first they could be in with a chance of winning prizes from Diesel!  The locations were very variable with eggs placed all around the city centre! From street corners, supermarket exteriors, basketball courts, public parks, under bridges, in doorways, by the river, in alleyways and even inside buildings! From jazz bars, to restaurants , and even inside shops. It was crazy! my fave look It is one hell of an idea and equally is making one hell of a statement. When brands take a fun and unique route to display their new ideas it makes it so much more memorable! Diesel has stayed very true to its disruptive spirit, taking fashion off the runway and onto the streets. It is uniquely Diesel and brings a fun and interactive aspect to the public! The actual collection itself featured "more treatments, experimentation, and more play." As quoted from their own description. There was satin denim in vibrant colours, tailored jackets with utility style pockets, knit dresses that were so distressed they barely held together and a lot of washed denim pieces. One of my favourite egg looks was a short bodysuit romper with sheer white top, cutouts at the hips. A statement necklace of course, and some floral shorts leading into satin denim jeans!  See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/diesel#review The entire ideology and actual result were very interlinked, Diesel is back with a new and exciting future. Very fresh, very fun, very Diesel.  With love,  Mimi x

As we move onto the third and penultimate city of the S/S26 season we take a trip to Milan. The Italian fashion capital, known especially for its luxurious and elegant fashion. The shows begin today 23rd September! The Milan S/S26 fashion week is definitely going to turn some heads. Hosting over 55 physical shows (which are sure to display some of the best models in the biz) as well as 4 digital showings - totalling a whopping 59 presentations. Milan FW always sets trends and brings in a multitude of celebrities to the city.  There are so many can’t miss shows to see at Milan fashion week (I would say there's more can’t miss shows at MFW than there were at NYFW & LFW combined!) And just wait until Paris FW! In my personal opinion I think they are always ordered in ascending order of how amazing and prestigious the fashion city is. And although I'm probably biassed because Paris is most definitely my soul city, it always seems to deliver the most amazing collections by the most talented designers.  This MFW, I’ve split all the shows I think are worth watching into 3 separate categories to make it easier to prioritise which shows you want to watch! Hope it’s helpful - I know for sure I'll be calling in sick on the 25th September (Prada, Max Mara, Moschino, Roberto Cavalli, Armani, and Boss - all in one day. WTF) My personalised PDF for MFW is shown below (with colour coded categories)-  And of course in case you want the plain & boring schedule here it is: Milan Fashion week pdf    Can’t-Miss Shows Major names and fashion moments guaranteed to dominate headlines and social media. These are the ones every fashion lover should watch if you don’t have time to appreciate the more up-and-comers and debuting designers: Diesel  - September 23 @ 3pm (kickoff) -  Known for its wild, democratic, and performance centred shows, Diesel always sets a mischievous and unique tone to follow for the week. Fendi  - September 24 @ 2pm -  A polished return with Kim Jones’ modern interpretation of Italian elegance.  Prada  - September 25 @2pm  -  A midweek staple where Miuccia Prada and Raf Simons continue their legacy of intellectual elegance. (I’m so excited for this one after last years AMAZING and JAWDROPPING shoes. I was mind boggled.) Moschino  - September 25 @5pm -  Bold, theatrical, and always camp, Moschino loves to make headlines. To me it either ends up being underwhelming or is spectacular! Really hoping for the latter this season. Roberto Cavalli - September 25 @8pm - Think fierce femininity, animal prints, and powerful silhouettes that demand attention. I love the comeback and love that Roberto Cavalli has been getting recently and I'm so excited to see what Puglisi does for the house this season!! Blumarine  -  September 26 @11:30am -  David Koma’s sophomore season post-Y2K revival continues to stir interest. Blumarine has been absolutely on the uprise in recent years, getting more and more iconic, so I'm intensely waiting to see if they can do it once more… Ferragamo  - September 27 @11:30am -  Under Maximilian Davis, the brand sharpens its modern identity with bold tailoring and rich tones. One to watch for sure. Dolce & Gabbana - September 27 @2:30pm - Sicilian glamour dialled to the max. D&G always bring it with their signature maximalist tailoring and sensual silhouettes, this show always delivers and fingers crossed it does once more. One of my favourite designers in recent years for sure.  Giorgio Armani  - September 28 @7pm (closing night) - Celebrating the brand’s 50th anniversary with a grand evening runway at Palazzo Brera. Debuts & Creative Director Shifts High-stake moments for heritage brands embracing new leadership, I personally cannot wait for Bottega Veneta (under Louise Trotter): Gucci (Demna)  - September 23 @7pm -  Demna Gvasalia’s debut for Gucci is one of the most anticipated creative transitions of the season. I am quite literally on the edge of my seat for all the creative director debuts happening this season. But I'm really eager to see which way Demna has taken it. Jil Sander (Simone Bellotti)  - September 24 @10:30am -  A fresh artistic direction for the minimalist house. Excited to see what Bellotti can bring to the iconic house. KNWLS  – September 24 @8pm -  After runway buzz in London, the duo brings their irreverent aesthetic to Milan.  Versace (Dario Vitale)  - September 26 @? -  Though missing from the official runway schedule, Vitale’s debut is expected as an intimate presentation or video event. Fingers crossed this isn’t a rumour because Versace is such a good fashion house, that it desperately needs a comeback. Bottega Veneta (Louise Trotter)  - September 27 @5pm -  Under new creative leader Louise Trotter, who is about to have her first debut in the role, it’s expected to carry sculptural minimalism with renewed elegance. Which I couldn't be more excited to see. Trotter takes a graceful, minimalistic turn at the brand, one to watch closely. Trotter’s work is one of my favourites for its refined elegance and maximalist minimalism. Emerging Designers Although there aren't many I've listed on my personalised colour coded timetable, however there are a few emerging designers I would like to note:  Francesco Murano  - September 25 @ 7pm -  Known for technical precision and buzz-worthy celebrity spotting, including a Beyoncé moment - iconic. Marco Rambaldi  - September 26 @10:30am - Crochet artistic designer, who is valued and celebrated for his unique take on feminine aesthetics.  Stella Jean - September 27 @1:30pm - Returning to the Milan schedule with her signature blend of Haitian-Italian heritage and ethical craftsmanship, spotlighting fashion as a vehicle for cultural storytelling. After such a remarkable display of talent has already emerged over the past 3 weeks from both NYFW and LFW. I am so thrilled to now be onto the two cities who always take the fashion world by storm, providing ample discussion points for months to come. Not that NYFW & LFW didn’t also do this, however we are most definitely onto the show stoppers of the month now with Milan going first.  I have marked my calendars for so many shows! But the ones I am literally on the edge of my seat for are definitely: Diesel, Gucci, Fendi, Prada, Roberto Cavalli, Blumarine, Dolce & Gabbana, Bottega Veneta…  RIP to the iconic, legendary designer Giorgio Armani And of course after the unfortunate death of Giorgio Armani earlier this month everyone will be in so much anticipation of the show! This collection will go down in history as it will be the last direct influence of Giorgio on the fashion house. I am sure time will stand still as the show takes place and there will be very much a bittersweet air of grief and excitement.  I will of course be reporting live across the entire 6 day fashion week going through only the best and the worst, describing what was breathtaking and what was gag worthy (hopefully less of this one!) I couldn’t be more exhilarated waiting for these shows to take place and hopefully be left in awe of the groundbreaking talent - both well known and emerging designers have to offer this S/S26 season. See you soon for a much needed debrief!!  With love, mimi xox

Look 1 Burberry’s Spring/Summer 2026 show, Daniel Lee’s 57‑look outing, arrived tonight in London packed with more colour, texture, and quintessential Burberry energy than I’ve seen in a while. Crochet is officially back. As is hot pink, plaid, and of course, the trench coat. That is, purely because Burberry says so! Obviously?! From the live stream, I saw fringe, scarves, surprising shades of greens, blues and of course hot pinks, all wrapped in what felt like an updated British signature. Burberry is a worldwide British favourite, and for good reason. It’s one of the most iconic houses. The front row was stacked: Anna Wintour, Sir Elton John, Jonathan Bailey, Olivia Dean, and so many more. The PR team must have been stressed! Let’s get into the show -  Favourite Looks:  1, 5, 8, 10, 11, 14, 21, 24, 28, 29, 31, 33, 34, 37, 41, 44, 46, 51, 52, 54, 56 Patterns:  Fringe, Plaid, Sequins, Crochet, Stripes, Circles, Paisley See the full collection here -  https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/burberry-prorsum#review The show opened with a banger - a mini trench in orange, yellow, and lime plaid, all criss-crossing in perfect harmony. And yes, I did predict the return of plaid in my earlier trend blog, so we’ll take that as a win. It was giving classic Burberry, but younger, cooler, and with more citrus energy. Obsessed. Yes they did a lot of trenches, and some may say it was too repetitive or predictable - but why not? Burberry practically invented the trench coat. This season, they debuted trenches in icy blues with hanging fringe (Look 21 - below), plaited detail and fringe dripping from fingertips. Then rust orange (Look 28), I’d normally hate rust, but the underlying floral mini dress peeking out made it semi - bearable to look at. ABOVE - LOOKS (in order) 34, 41, 21 Then came the paisley trenches in suede, more subtle until you get near: textured, feelable, intricate. Look 34 featured a full-length deep brown suede paisley trench + a hot pink scarf. Loved it so much. A colour combo I never knew would look so good together. I need to try it immediately! Look 37 and 41 (above) echoed that same paisley pattern but in lighter browns. Best twist on the classic Burberry trench I’ve seen in ages. Patterns were everywhere: plaid mini trenches (opening look), fringe edging on sleeves, metallic finishes, checks, crochet fabrics. Scarves, light and spring‑friendly, made multiple appearances - not heavy winter iterations, but enough to feel deliberate. Could this work for spring?  Some of the crochet / knit looks stood out big time. Look 14: knit with gold circular chips sewn in so it wasn’t just sheer, interesting and wearable. Capri-style wide-leg trousers were my favourite stand out! Made in plaid, and the hem was finished off with a few inches of metallic circular embellishments (Look 31- below and Look 29 especially). Other looks (44, 46 - below , 51) featured crocheted circular pieces sewn in the same place on capri style trousers - finishing just above the ankle, so Burberry are quite clearly claiming this length as the trouser for SS26! I will 100% be climbing the board for that movement.  ABOVE - LOOKS (in order) 31, 5, 46 Let’s talk accessories… but not in the usual “here’s a bag that’s louder than the outfit” kind of way. This season, Burberry kept them minimal, complementary, and honestly? Kinda classy. The bags were there, they did their job. But the real MVP? Scarves. Yep, according to Daniel Lee, scarves for spring are the moment . Now, I know what you’re thinking. Scarves? For spring? But hear me out - these weren’t chunky knits. Think thin, floaty, slinky little things draped over the shoulders and styled like a nod to British unpredictability (it does still  rain in April, after all). They added texture and variety without being too overwhelming, and I loved that. And the setting really helped sell the whole vibe. Models walked across what looked like a sandy, slightly dirty floor, not quite a beach, not quite a construction site! With a backdrop of dreamy sky and clouds behind them. It felt earthy, grounded, and kind of magical all at once. A very British spring day: moody but hopeful. The sky’s clear, but your feet are still covered in dirt. Look 56 Finale pieces were so well thought out as well! A sharp green tailored two‑piece (Look 55); then Look  56 (on right) - a pink sequin mini dress patterned with green & yellow plaid, paired with a slouchy matching bag and really cool brown ankle boots (with matching pink rim sunglasses because why not). Then closing with Look 57 - a menswear look: hot pink bomber jacket as centrepiece, echoing the pink of the mini dress on one side and the green suit on the other. So satisfying, visually. What impressed me was that Lee didn’t just recycle the iconic stuff (trench, check); he reimagined it. Trench coats with fringe and suede paisley underlays, crochet and knit mixed with plaid/ checks/ metallics, playfulness with colour (hot pinks, acid tones, rust) but still with structure. It feels  very much like Burberry with more permission for fun, freedom and creativity!  As someone who’s long admired Burberry, I expected something strong tonight and I received exactly that. It’s inspired me to start wearing my trench for Autumn now and has put a brilliant full stop on an exceptional London Fashion Week season. Goodbye for now, Burberry. With love,  Mimi x

God, how time works in mysterious ways. This London Fashion Week has flown by ridiculously fast. What the hell. I mean not to brag but my LFW was filled with 5 days of back to back castings, eating many salads and writing every chance I got to please all of you loyal readers. Then I got a show and successfully walked and closed the runway (not sure if you heard) AHH. Still cannot get over it, and after getting back from said runway had to catch up on all the wide range of talent from yesterdays shows which eneded up bringing me to 4am this morning. Not the best choice. But that brings me to now, when I am about to start writing the recap for the fifth and final day of London Fashion Week. Starting with a wildcard from Gucci who (not in London) released a digital look-book of their new SS26 Collection randomly and had everyone in shock... Gucci?!?!  "La Star" What? 36 hours before the scheduled show in Milan on 23rd September Gucci, under new creative direction by Demna unveiled a surprise lookbook ahead of  the scheduled film-format Milan presentation tomorrow evening. A brilliant play by Demna to add anticipation and gain traction to the Gucci SS26 Collection.  Each of the 38 looks were shown on different models including Alex Consani, and Lila Moss (they could be walking tomorrow) and were presented in unique photo frames with plaques naming all the different looks! From “La Diva” to “Primadonna” I am successfully on the edge of my seat for tomorrow's show. See full mic-drop moment here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/gucci Rory William Docherty - 22nd @10am  I’ve had my eye on Rory William Docherty for a while now, and his first solo show at London Fashion Week definitely didn’t disappoint. In a fashion world where standing out is near-impossible, this emerging designer just proved he has a place in the most competitive industry in the world!  The 30-look collection felt like a glimpse into a dystopian future, where sharp tailoring meets survivalist energy. There were futuristic straw hats, dramatic boxy silhouettes, beaded accessories that looked almost ceremonial, and the kind of fabric pairings that felt raw but refined - like he was dressing for both the and the red carpet. One of my favourite looks had to be Look 12 (on the left) a cropped green tweed blazer covered in these huge, conker-like embellishments. It was weird, wonderful, and totally unforgettable. Underneath was a black and orange tie-dye shirt with a built-in tie! Paired with lime green trousers. It felt like a weird punk academia meets a dystopian post-apocalyptic garden party. Obsessed. Throughout the collection, there was this consistent push and pull between chaos and control. Look 24 (shown above), for example, had a cropped pink trench layered over an olive green shirt with a wild, tethered collar - topped off with a lime green tie and matching trousers. It was bold, offbeat, and totally Rory. He also played with sheer fabrics, distressed knits, and experimental shapes that added to the otherworldly vibe. And those accessories, the bags, the headpieces, the giant beaded necklaces - all felt very futuristic, like another dimension.  Rory William Docherty’s SS26 debut wasn’t just a fashion show; it was full of vision. One that’s strange, bold, beautifully uncomfortable, and very, very exciting! See the full collection here -  https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/rory-william-docherty/slideshow/collection Susan Fang - 22nd @12pm  Susan Fang’s SS26 show was surreal. I loved every second of it. It felt very dreamlike, and you can see why when you see the collection. The runway had models weaving through lush, jungle-like surroundings, setting the stage for what became one of the most cohesive and enchanting collections of the season. Look 1 The opener? Show-stopping. (Shown on left) A jacket and skirt covered in individual square glass beads, stitched into panels and creating a rainbow hue effect. It was intricate, powerful, and honestly, one of the most compelling opening looks I’ve seen this season. From that moment, I just knew Susan was about to deliver. Footwear had its own moment too - particularly those fluffy boots in Look 11 and Look 23, wide-fitting and ribboned to perfection. That same fluffy texture later reappeared in a genius ballet flat–slipper hybrid that looked ridiculously comfortable but also super cool.  And a very big surprise element? Nike! Whether it was the black tee layered under a sheer dress (Look 22) or the blue-tick socks in Look 24 (shown below) paired with oversized blue shoes, the sporty branding worked seamlessly. It added an unexpected urban twist to Fang’s ethereal aesthetic - and the affiliation didn’t seem tacky or weird it felt cohesive and well done. Accessories were another highlight. Chunky beaded necklaces, whimsical glass details, and that jaw-dropping headpiece in Look 26! Which helped make the collection feel like wearable art. And let’s talk bridal, because Looks 29 and 32 (shown on right) served fairytale elegance. Sweeping white gowns with delicate veils, beaded headpieces, clear crystal beads dropping down the fabrics like rain and drops of muted colours if you looked hard enough.  Gel shoes, floating textures, beadwork, softness… This collection was thoughtful, tactile, and totally transportive. Across 34 looks, the vibe stayed strong: dreamy, experimental, and emotionally light. This collection definitely felt otherworldly, and I would definitely live in that world. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/susan-fang#review Conner Ives - 22nd @2pm  Traditionally a February fixture, Conner Ives made his high-profile return to LFW this September with a collection that delivered everything I hoped for and more. Fresh off the back of his politically-charged “Protect the Dolls” drop (where all proceeds went to TransLifeline), Ives has cemented himself as a designer who not only talks the talk but actively uses his platform to amplify trans rights. That energy was loud and clear on the runway. The casting spoke volumes. Trans women were front and centre, in fact, more trans models walked than not, and it felt so right. Authentic. Expected. This is exactly what Conner Ives is about. Just two looks in and Iris Law (shown below) appeared in a sheer pink halter-neck mini dress with a matching headscarf, nude underwear, and the most jaw-dropping lime green heels adorned with dangling brown beads. These same shoes appeared again in hot pink - and I need them in my wardrobe immediately. One thing about this collection? The details were everything. Unicorn “Never Give Up” badges (Look 5), bejewelled sheer trousers in Look 24 (insane embellishment paired with a green blazer and the hot pink heels), and the feather-trimmed drama of Look 26 (on the right), where two oversized feathers framed the model’s neck like wings. Then came the final two looks - Look 29: a black maxi covered in 3D circular discs. Look 30: fully chainmail, completely sheer, hood included, styled with lime green knickers. Bold, brave, and so wearable in its own otherworldly way. There was serious play with colour blocking throughout, including royal purples with lime greens, deep blues with electric pinks. Look 12 deserves a moment too: a shimmering pink sequin dress paired with a lily sequin headpiece tucked delicately behind the model’s ear. It was all so feminine, so celebratory, and so cool . Beads, sequins, feathers, embellishment overload, but somehow never overwhelming. Even the baby doll tees and dresses, usually tricky to pull off, felt genuinely chic. What sets Ives apart isn’t just his eye for bold styling or his love for maximalism. It’s his commitment to creating space in an industry that so often leaves people out. This was a whole movement, there was a deeper meaning to this show. It was one of the most diverse, inclusive, and emotionally resonant runways we’ve seen this season. Conner Ives is in his own lane - and thank god for that. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/conner-ives#review Nanushka - 22nd @5pm  Look 10 Nanushka delivered a grounded but glowing SS26 collection this season, the kind that quietly builds its power through detail, texture, and, most of all, accessories. The show opened with a classic trench shape, but all eyes were on the chunky leather waist belt cascading with rows of beads - setting the tone for the next-level accessorising seen throughout the collection. The jewellery was bold . Massive necklaces hung like armour, especially in Look 3, where a sleek black two-piece suit was totally transformed by an oversized gold beaded necklace that covered the model’s bare chest beneath the blazer. Suddenly, it wasn’t just tailoring, it was power dressing  in its truest form. I also loved Look 10, which was one of my faves, which played with silhouettes in a striped micro short/long sleeve bodysuit. So playful. So spring. And don’t even get me started on the tassel earrings - subtle but impactful. Suede also made a clever appearance, especially in the shoes (a trend I’m clocking everywhere right now). And those oversized beads? They weren’t just around the neck, they popped up on sandals (Look 6), oyster-shaped brooches, and even falling from the hems of menswear suits. Pattern mixing was a bit hit-and-miss for me - Look 9 (shown below) for example had an orange striped scarf, a floral shirt and  tiger print trousers. Not my personal pick, it was very bold, but the chunky leather belt holding it all together? Gorgeous. I’ll take that. The closing look (shown on right) wrapped everything up perfectly: a dual-zip jacket with a raised collar, paired with a classic Nanushka gold necklace, a chunky belt and colour-block trousers. Clean, polished, and just the right amount of edge. This collection wasn’t trying too hard, it was full of elevated basics with some killer Ready-to-Wear thrown in at times and that’s exactly why it worked. Elevated basics, clever layering, and serious accessories. Love, love, love. See the full collection here -  https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/nanushka#review Goodbye London Fashion Week This SS26 season at LFW has been amazing! So much more emerging talent than I thought there would be, loved seeing the new faces debut and comment on their most impresive designs yet. Hopefully many of them return for AW26 in February's Season. Goodbye for now LFW, this season has been a blast. The adrenaline was high, the lows were also low and I walked my first ever runway! SS26 Season you will never be forgotten. Love you forever. With love, Mimi x

At Simone Rocha today, we got exactly what we expected, and that’s not a bad thing. A packed, deliberate, and dramatically cohesive collection, delivered in classic Rocha fashion: full of bows, tulle, red silks, and emotional storytelling. Look 54 The venue itself was London’s Mansion House, it was regal, moody, and the perfect match for Rocha’s night-themed dreamscape. The theme? Pillow talk, meets princess, and a post-party melancholy. Think: sheer slips, satin bedsheets turned dresses, and actual ruffled pillows held that hinted to late-night vulnerability. The crowd was just as on-brand. British fashion royalty like Vogue’s Julia Hobbs (wearing a divine Simone Rocha slip dress) rubbed shoulders with international icons like Julia Fox. The room buzzed with energy, anticipation, and admiration. Simone Rocha isn’t just a British fave, she’s global. Known for her intricate and unapologetically feminine aesthetic, she continues to draw from deeply emotional narratives, creating collections that feel like beautiful, cinematic heartbreak. And from Mimi herself? I’m obsessed. Rocha has been one of my favourite British designers for years - and she’s lovely in person, too. My claim to fame? Once at a casting, she referred to me as “the girl in the big boots.” Then proceeded to not book me. Classic. Let’s get into the show - Favourite Looks:  1, 4, 7, 9, 11, 14, 19, 20, 32, 33, 34, 38, 41, 44, 50, 53, 54 Colour Palette:  Silver, Pink, Beige, Lime, Mint, Red, Blue See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/simone-rocha/slideshow/collection The SS26 collection brought Rocha’s signatures front and centre: bow motifs, delicate florals, and her staple palette of rich reds and romantic pinks. But this season also introduced new textures and layers. Sequins and silvers brought a glimmering, moonlit energy, paired with mountains of tulle and soft pastel sheers. There was something strikingly beautiful about seeing a traditionally masculine man in silver micro-shorts and a frilly, pearl-embellished blouse. What truly stood out was Rocha’s use of plastic. Yes, plastic, but this was plastic done her way. Transparent trench coats were layered over floral jackets and sheer lace dresses, adorned with pearls, glitter, and subtle sparkle. Somehow, she made PVC feel romantic. It didn’t look cheap, but instead it looked elevated, protective, almost like a glass case guarding a precious piece underneath. ABOVE - LOOKS (in order) 44,11, 9 The colour palette echoed Rocha’s emotional range: soft pinks, beiges, and mints sat beside moody reds, icy blues, and plenty of shimmering silver. Lime made a surprise appearance too, injecting a hit of boldness amid the softness, which also worked beautifully with the real lilies that showed up in many of the tailored looks in this collection - tucked into shirt pockets or hanging from the waist perfectly - Loved this detail! But Rocha isn’t all about aesthetics. Her work constantly tugs at something deeper - emotion, gender fluidity, romance, fragility. This season especially felt like a love letter to vulnerability and softness, in all its forms. It played with the contrast of strength and delicacy: men in lace, women in structured tailoring softened by tulle, everyone somewhere between dreaming and waking. And yes, the new ballerina platform Crocs collaboration made their way in, styled perfectly beneath ornate gowns. Somehow, it worked. Simone Rocha can make both rubber shoes and plastic feel runway-worthy. Rocha stayed defiantly in her own world. Once again reminding us that vulnerability can be powerful, and that fashion, when done right, can feel like poetry. With love,  Mimi x

Look 3 Set against the dramatic façade of the British Museum, Erdem’s Spring/Summer 2026 collection unfurled like a cinematic dream. The 43-look show drew its usual crowd of fashion royalty, including a front row appearance from none other than Anna Wintour herself!!!  As the models stepped into the London sunlight, draped in Erdem Moralıoğlu’s signature romance with a twist. Erdem has long been synonymous with poetic femininity, and this season was no exception. The designer leaned confidently into his house codes: romantic tailoring, decadent lace, Victorian corsetry, and high-neck silhouettes were delivered with both restraint and flourish.  There was a couture-level attention to detail, with cascading floral appliqué, bejewelled embroidery, and carefully distressed threadwork that whispered of age, memory, and rebirth. Let’s get into the show -  Favourite Looks:  1, 3, 4, 5, 7, 9, 10, 12, 14, 21, 24, 28, 29, 36, 37, 39, 41, 42, 43  See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/erdem#review The show opened with a jaw-dropping statement - a mini dress fully encrusted in lace and appliqué with accentuated hips, a high neckline, and an almost armour-like construction (Look 1 & 3). It felt regal, and elegant. Several dresses echoed this silhouette throughout the collection in different colour-ways, making it feel both consistent and ever-surprising. Look 41 One of the most breathtaking elements was Erdem’s use of lace, not just as a trim or fabric but as an artistic medium. Look 41 was arguably one of the most genius pieces of the season. An all-lace dress with a corseted waist and flared hips, it featured black threads that fell like ink across the fabric. Upon closer inspection, the threads resembled numbers and symbols trailing toward what appeared to be an electricity outlet sewn to the dress with threads coming out!!! MINDBLOWING! It was as  if the dress itself was writing its own story through an electric pulse. It was nothing short of revolutionary. Fashion as communication, literally. From looks 28 through 35, the vibe shifted into a more traditionally spring-summer mood. Think bold pinks, botanical greens, and soft blues floating down the runway in airy chiffon dresses that billowed in the breeze. These looks were perfect for both garden luncheons and red carpet moments, they were effortless but elevated, playful but poised. The colour palette across the collection was rooted in contrast: creamy whites and soft pastels met moody blacks and earthy browns, punctuated by flashes of bright colour. There were green, blue, red, and soft florals, often peeking out from under skirts or accenting shoes, ballet style shoes with ankle ties added an elegant, romantic finish to many of the looks. ABOVE - LOOKS (in order) 28, 5, 36 Another standout moment? Looks 36 and 37, nearing the end of the collection with twin crocheted dresses, one white and one black, crafted from circular floral pieces delicately joined together. With ruched high necks and beaded detailing, they struck the perfect balance between handcrafted and modern.  What I love about Erdem, and what always makes him stand out on the London Fashion Week lineup, is how he balances history and modernity without it ever feeling forced. There’s always a strong story behind his work, like you can almost sense the woman he’s designing for. She’s complex, powerful, a little mysterious… definitely not just there to look pretty. But at the same time, there’s this really fresh, forward-thinking edge , not just in the fabrics or silhouettes, but in the actual ideas .  I mean, digitised lace that looks like it’s writing its own story? Genius. SS26 proved, yet again, that Erdem doesn’t play it safe when it comes to femininity. The tailoring was sharp, the embellishments felt emotional, and the whole vibe? Romantic, but also bold, brainy, and totally electrified. I loved it. With love,  Mimi x

My Looks today! Ahhhhhh. It’s show day. I am so super nervous but I’m sure it will be fine! Call time is 1:30 so I’m about to head up! Gosh I hope the shoes aren’t ridiculously high. Praying for some flats or wedge heels (only because I know many people of influence will be there and I cannot face falling over in front of some of fashion's elite!)  As well as my nervous breakdown, our marketing assistant has just stepped into the realm of Marques A’lmeida to intern for the day and help with the show - keep an eye out for her story about what goes on behind-the-scenes of a runway production, coming later this month.  And as for me, of course I won’t let my modelling success pull me away from writing for you all. I will be catching up on London’s big third day of shows as soon as I get home, and reporting on all the amazing shows occurring today. Including Simone Rocha, Erdem, and Emilia Wickstead!  Talia Byre - 21st @10am  Talia Byre just launched her first official collection at London Fashion Week! We were expecting her usual conceptual depth and emotional resonance from her breakout show, and with a 25 look collection full of flowy silhouettes, stripes, and unique colour combinations I think this was achieved.  Stripes ran throughout the entire collection, beginning first with a bold colour combination of diagonal red and green. It felt more Christmas than Spring, one look (1) had a pair of horizontally striped trousers that bear a high resemblance to what I imagine an elf would wear - paired with sheep-skin ankle boots which are worn by many of the models, again very winter orientated. I’m not sure about the colour palette for these particular looks!  However other pieces were definitely more spring/ summer with more muted stripes showing throughout the collection and some really cool hooded jackets in a perfect pale blue shade! The accessorising was also very strong, with sunglass cases hanging from the neck in various leathers, large leather bags and even some interesting hats on show.  For a breakout collection I think Talia Byre has a lot of potential, the green and red just weren’t for me, but there were some really cool pieces displayed and some of the pops of colour really worked well to accentuate the main white in a lot of the looks.  See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/talia-byre/slideshow/collection Ashley Williams - 21st @?  This show was kind of weird. One of my friends walked it, which is what brought it to my attention in the first place. Although it was notably missing from the official London Fashion Week schedule, the Ashley Williams Spring/Summer 2026 collection still found its way onto Vogue Runway - and it’s not hard to see why. The models paraded down the runway wearing what can only be described as horrifically applied  synthetic wigs in violently bright colours, sickly shades of pink, purple, electric blue, and neon yellow. It felt intentional, but also slightly like a fever dream. Like a kids’ party gone coquette punk. Across the 42 looks, the tone stayed semi-weird, with a girlish, coquette / cosplay vibe that embraced childish innocence with a not-so-innocent twist. There were floral nighties, baby tees, and printed mini skirts covered in cats, teddy bears, and toy-like illustrations, evoking a kind of nostalgia. At moments, it felt like 2014 was having a chaotic comeback - but just as things leaned a little too childish, subtle pirate touches crept in, disrupting the sweetness just enough to keep things off-kilter. The juxtaposition didn’t always work  - but maybe that was the point.  According to Vogue’s review, Williams wanted the collection to feel like a “fantasy wardrobe” for girls who make their own stories - which makes complete sense when looking at it. There’s definitely a sense of self-made identity here, with outfits that look like they’ve been styled by raiding your childhood toy box and your older sister’s wardrobe in one go. While it’s easy to criticise the chaotic styling or the seemingly random references, there’s also something undeniably fun about this collection. It doesn’t ask to be taken seriously. It pokes fun at itself, leans into kitsch, and dares to be ugly. In an era where fashion sometimes feels overly curated and algorithm-pleasing, Ashley Williams reminded me today that fashion is made to be fun, and a bit weird. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/ashley-williams/slideshow/collection Tove - 21st @1pm  In the six years since its launch, Tove has quietly but confidently established itself as the go-to brand for women over 35, and this season proved exactly why. Across 34 looks, the Spring/Summer 2026 collection delivered what Tove does best: ankle-grazing dresses, high necklines, leather, and long coats, all twisted, draped, and cut in feminine yet refined ways. There’s a simplicity in the silhouettes that speaks to an older client base, no fuss, no flash, just considered clothes in luxurious fabrics. The palette stayed mostly neutral, with soft creams and earthy tones broken up by pops of colour: orangey yellow, pale pink, navy, and a standout turquoise blue. That turquoise leather - seen in trenches, skirts, shirts, and belts in looks 26 and 27, was a quiet showstopper. To some, this collection might seem "boring," but I saw something else entirely. Tove isn’t trying to reinvent the wheel,  it’s speaking directly to women who’ve already found their power and don’t need clothes to scream on their behalf. The crowd, filled with London-based women deep in the fashion industry, was a huge testament to that. Tove caters to middle-aged women, and honestly, I love that for them. The world doesn’t need another brand chasing the 20-something market. These are clothes that can give women their confidence back - luxurious, elegant, and just unique enough to feel special, but never overwhelming. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/tove/slideshow/collection Emilia Wickstead - 21st @2pm  This afternoon, editors and buyers squeezed into Emilia Wickstead’s Sloane Street flagship - not to shop, but to see her SS26 collection. The space was transformed into a refined salon-style setup, with wooden chairs weaving through each room. Wickstead says she “actually designed the Sloane Street store to be a show space,” as she explained at the preview. “It feels nice to invite everyone into the house we’ve built.” Across 35 looks, Wickstead did what she does best: polished tailoring, ladylike silhouettes, and clean simplicity. There were elegant plaid details (I did  predict its return!), subtle prints on ties (see Look 3), and a few corseted dresses and denim tailoring moments. Florals made their expected spring return, but one standout detail caught my eye - in Looks 12 and 29, floral mini skirts were cleverly overlaid with sheer plaid, creating a hybrid fabric effect that felt fresh and intentional. Another highlight was the use of a 3D raised-texture fabric, especially in Looks 25, 26, and 33, which gave an otherwise more simplistic lineup a more detailed and sculptural edge. That said, while the craftsmanship was undeniable, I can’t say the collection left me breathless. It leaned towards minimal and casual, wearable, yes, but at times almost too wearable. Some pieces felt like they could’ve come from high-end Zara. I respect the quiet elegance, but compared to other shows this week, it didn’t quite hit as much. See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/emilia-wickstead/slideshow/collection Marques A’lmeida - September 21st @3pm  This 47 look Spring/ Summer collection featured powerful combover hair styles, paired with elegant and clean silhouettes. With a colour palette of olive, burgundy, black, red, champagne, blue, pink and of course butter yellow. They were 100% on trend with what’s currently going on as well as what could be super hot in SS26. Olive for sure is a clever pick. This one was a special one for us because Mimi had two friends incorporated within the show! Our marketing assistant was helping dress the models, one of which included a close friend of Mimi’s. What a small world. Hence the excitement for the show, and the excitement was worth it.  Some unique and lovely denim pieces filtered through within the collection, coming mid-way through the collection after a myriad of pastels and florals, which was a nice change of pace. I was expecting some raw-edged denim as they usually pull, and that we got - however with an elegant and more sophisticated twist. The denim was done with a dark and cloudy wash, and clever structuring.  A photo from our marketing assistant Our marketing assistant is going to write all about her experience first-hand working as an intern, but as a preview she said the show was really cool, and very inclusive. They had all ages, hair colours, etc as well as even a baby and a pregnant lady walking the runway - catering directly to real human scenarios which gave a humanistic touch to what can sometimes seem very closed off from the outside world!    There was a distinctly youthful energy as this creative duo continued to champion experimental London fashion with a punch of 2010s nostalgia and Gen-Z grit. This was a standout show for me, with or without the personal connections, for those who love directional, subversive fashion. Keep the name in mind for the future! See the full collection here - https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/marques-almeida/slideshow/collection Dilara Findikoglu - 21st @9pm!!! Um. I’ve just checked the Vogue Runway website as per usual (it’s a religion at this point) and stumbled across this otherworldly designer - Dilara Findikoglu. How have I never heard of you before? This was not just a fashion show. Models were covered in mud, some crying as they walked down the runway, twigs tangled in their hair, face coverings that actually disabled them from seeing (Look 4). This was art. Performance. Some looked possessed, others as if drowning in their own sorrows. One even had a horse mouthpiece on - potentially a comment on animal abuse, or vulnerability, or both? The collection itself was insane. Ruffles everywhere: neckpieces, lace, leather, high-neck silhouettes, and LOTS of silver hardware, even punky spikes poking out from belts. Look 6? The models eyebrows were replaced with hanging silver hardware that delicately fell to her nose. Genius and terrifying in equal measure. Look 24 was so unique: cherries cascading down a plain beige-transparent corset, with cherry-stained arms and feet - the detail even extended to hands and toes. One model looked as if an entire jewellery shop had been glued to her face. And then Look 27 - ethereal, utterly unique, breathtaking. It reminded me how wide-reaching design can be when you refuse to play it safe. No wonder the crowd loved it, I mean Naomi Campbell strutted out for Look 28 in an all-black corset dress with matching sleeves and layers of hardware-heavy necklaces. Look 29? Amelia Gray in a monochromatic red outfit with hardware dangling from her head. Absolutely bonkers. Dilara Findikoglu SS26 is proof that fashion can be terrifying, raw, and emotional - a full-blown performance that leaves you reeling. I don’t just want to see her next collection; I want to be invited and involved any way I can! See the full collection here -  https://www.vogue.com/fashion-shows/spring-2026-ready-to-wear/dilara-findikoglu#review Lots happened today... I successfully walked my first LFW show today! It was so nervewracking, I had all eyes on me for a brief period of time and then It was done (until I had to do it again 5 minutes later in my second look). The adrenaline is going to last me a lifetime, I truly wish everyone got to feel like this at one point or another in their lifetime. It is one hell of an experience and one I won't forget ever - especially because I closed the show too!! AHHHH I will of course be writing more about this experience - just once the fashion month is beyond us because my poor laptop is writing at least 4000 words a day as it is! With only one day left of London Fashion Week, and most of the major shows out of the way - bar one! We only have Burberry left, a cult British classic, and for good reason. I will of course be writing all about it... With love, Mimi x